Young Indian man Thomas is a nerd in his reservation, wearing oversize glasses and telling everyone stories no-one wants to hear. His parents died in a fire in 1976, and Thomas was saved by... See full summary »
Depicts the struggles of reservation-dwelling Native Americans in the North Central United States. The main character is an introspective and lovable person in a process of seeking pride ... See full summary »
Virgil First Raise wakes with a shiner and a hangover in a roadside ditch on the stark but beautiful plains of Montana. As he rises to face the day he sees a vision of his father lying dead... See full summary »
In South Dakota, in an Indian reservation, an old storyteller Indian asks his grandson Shane, who is in trouble owing money to some bad guys, to take his old pony and him to Albuquerque to ... See full summary »
Frankie is dying. Irene hasn't forgiven him. And they are racing against time to find their way home. Frankie needs help and Irene is the one he turns to. He must go home one last time. And... See full summary »
A story of life on a First Nations reserve in Ontario: Silas and Frank are trying to get into college to train to be mechanics but they find themselves having to deal with girls, family ...... See full summary »
Ryan Rajendra Black,
A documentary about the evolution of the depiction of First Nations people in film, from the silent era to today. Featuring clips from hundreds of films, candid interviews with famous Native and non-Native directors, writers and actors, Reel Injun traces how the image of First Nations people in cinema have influenced the understanding and misunderstanding of their culture and history.Written by
In a montage showing Caucasian actors portraying Native Americans, Daniel Day-Lewis is shown in "The Last of the Mohicans." Day-Lewis's character, Nathaniel Poe, a/k/a/ "Hawkeye," is actually a white man adopted into Native American culture. See more »
We'll never be able to change the fantasy of who and what Indians are. That fantasy will always be there. We'll be... we'll always be on covers of novels saying "Cheyenne Warrior."
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I learned a TON from this film. I started watching it thinking I had a good handle on just how terrible Hollywood has been to the cause of First Nations education, but I was wrong. From the revelation of a SURPRISING number of Hollywood actors who are still alive and have played First Nations peoples in their careers to the surprisingly obvious (how did I not realize this?!) fact that nearly all portrayals of First Nations Peoples on film are of the Plains People - feathered war bonnets and all!
There is truly so much that is positive that I could say about this film, but the most important of which is the fact that it has been funded, produced and released to the wider public at TIFF and various other means (I myself watched it on television, yaay!) and it is largely the work of First Nations artists and community. I hope that funding continues so that further quality works like this can be released!
Truly a revelation!
5 of 6 people found this review helpful.
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