A young woman embarks on a road trip with her boyfriend to a place he promises will be beautiful and peaceful. But a series of strange events occur on their journey, and it becomes clear ... See full summary »
Two New York City girls make a pact to lose their virginity during their first summer out of high school. When they both fall for the same street artist, the friends find their connection tested for the first time.
Thérèse grows up with her aunt and cousin. Around 1860 the aunt decides they move to Paris and that her son and Thérèse get married. The joy- and loveless life changes when her husband brings a friend home. The affair turns ugly for all.
After India's father dies, her Uncle Charlie, whom she never knew existed, comes to live with her and her unstable mother. She comes to suspect this mysterious, charming man has ulterior motives and becomes increasingly infatuated with him.
Martha has run away from an abusive hippie-like cult where she was living as Marcy May for two years. She turns to her sister and brother-in-law who take her in and want to help her. The problem is Martha is having a hard time separating dreams from reality and when haunting memories of her past keep resurfacing, she may need more help than anyone is able to give her.Written by
Sean Durkin offered the role directly to Sarah Paulson, being a fan on her work on Studio 60. See more »
During Martha's breakdown in the party scene, the bow on her white dress is hanging loose when she is being corralled into the bedroom by Lucy and Ted. In the next shot, the bow is done up again. See more »
[as Martha runs away]
Marcy! Marcy May! Where ya goin'?
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I'm tempted to give Martha Marcy May Marlene a higher rating than it deserves for what it could have been, not for what it is. It boasts two young talents who are showing tons of potential - director Sean Durkin and lead actress Elizabeth Olsen; Olsen's performance is subtle and effective, and Durkin's directorial work creates a strong sense of atmosphere, which is aided by the superb cinematography of Jody Lee Lipes (who also had very little prior experience in feature length films). It's a film that looks and sounds great, but unfortunately it doesn't mesh into a satisfying experience.
It's probably because there's so much potential and so much to explore, and so little of it is actually brought to fruition, that I left the film with a bitter taste of a missed opportunity. The cult, for example, is fascinating, seductive and nightmarish, and John Hawkes delivers outstandingly, but on closer inspection it looks like a perfectly generic hippie cult of the classic Manson prototype, and we get no hints of what their philosophy actually is, or about the personalities of any of the members. The same goes for the relationship between Martha, her sister and her brother in law, and most of all the ending, which suggests some very interesting subjects which the rest of the movie doesn't really explore.
To be clear: I don't object to open endings or films that leave a lot of information out to allow viewer interpretation, but in this case I felt it was done as a cover up for lack of decision on Durkin's part - a flawed script that doesn't really feel complete. I'll definitely check out his work in the future, but this film isn't quite there yet.
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