Left for dead on a sun-scorched planet, Riddick finds himself up against an alien race of predators. Activating an emergency beacon alerts two ships: one carrying a new breed of mercenary, the other captained by a man from Riddick's past.
The wanted criminal Riddick arrives on a planet called Helion Prime, and finds himself up against an invading empire called the Necromongers, an army that plans to convert or kill all humans in the universe.
After the events of Pitch Black, a contractor is hired to locate Riddick, dead or alive. He reviews available information on him and the events of Pitch Black. Terrified, he hires a female cyberpunk merc to do the job for him.
Veteran-turned-mercenary Toorop takes the high-risk job of escorting a woman from Russia to America. Little does he know that she is host to an organism that a cult wants to harvest in order to produce a genetically modified Messiah.
The infamous Riddick has been left for dead on a sun-scorched planet that appears to be lifeless. Soon, however, he finds himself fighting for survival against alien predators more lethal than any human he's encountered. The only way off is for Riddick to activate an emergency beacon and alert mercenaries who rapidly descend to the planet in search of their bounty. The first ship to arrive carries a new breed of merc, more lethal and violent, while the second is captained by a man whose pursuit of Riddick is more personal. With time running out and a storm on the horizon that no one could survive, his hunters won't leave the planet without Riddick's head as their trophy.Written by
In New Zealand, the film was given the Restricted 16 rating for its graphic violence, profanity and nudity. See more »
Right before Dahl punches out Santana, it is evident that her charcoal gray "performance-T" has short capped sleeves with loose elastic, that fit high on her Deltoid muscle. They are so loose they cast a shadow. She punches Santana. Then moments later, as he is wiping blood off his nose and asking for help, the camera cuts to a static close-up of Dahl, just for a split second. She is now wearing a different, fresher performance-T. The cap sleeves are longer now, with more pronounced ribbed, elastic bands that fit below her Deltoid muscle. When the camera goes back to action shots, her sleeves are short again, and remain so for the entire scene. See more »
Don't know how many times I've been crossed off the list and left for dead. Guess when it first happens the day you were born, you're gonna lose count. So this, this ain't nothing new.
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The Extended Cut runs about 8 minutes and 9 seconds longer than the theatrical version. The Extended Cut has 2 additional scenes 2 extended scenes with alternate footage 1 alternative dialogue See more »
Riddick is left for dead on an unknown planet with hostel indigenous predators. With a bounty on his head he calls upon the very people who want to have him killed in order to escape.
Director/writer David Twohy certainly delivers a fan pleasing sequel that fittingly harks back to the first instalment's roots in both story linkage and tone. While not as grand, fans of Chronicles will also be pleased with the stripped continuation back story and a cameo from Karl Urban's Vaako.
It's a good piece of science fiction action entertainment with decapitations, shootings, spaceships, a hostile planet, yes it's familiar and debatably derivative as the characters get picked off one by one, but as with Pitch Black Twohy effortlessly manages to create a convincing environment with new memorable biological creatures which is no easy task, to his credit it's no often lighting strikes twice given how many forgettable alien creatures have been put on screen. Yet, even though reminiscent Alien (1979) he manages to recreate what he did with the photosensitive, reptilians in his breakout 2000 film.
Vin Diesel returns as the character created by Jim Wheat & Ken Wheat- Riddick, this time he rekindles his previous edginess but the 'one Riddick and his dog' aspect expands the character, sneakily retaining some likability (especially for animal fans).
Given the way the production was funded the special effects are a mixed bag but serve their purpose. The first act is a special effect survival piece with sparse dialogue and smart action, with the second act taking place after an (unstated) amount of time when Riddick finds a small base. From then on its full of action setups, space motorcycles, conflicts and one-liners as the mercenaries and bounty hunters have to make an alliance with Riddick to survive an impending alien onslaught.
The supporting characters are developed just enough to be both identifiable, memorable and you almost care just enough to invest your time. Spanish actor Jordi Mollà gives a standout performance as the head hunting, unsavoury Santana, Total Recall (remake) actor Brokeem Woodbine gives some weight with his limited dialogue. Katee Sackhoff while feeling a little typecast still delivers the goods, even the remaining groups stereo-types are more fleshed out than they should be of the genre which adds to the enjoyment. Matt Nable is a good lead as Boss Johns whose character gives the story a (satisfying) little twist that those familiar with the original will see coming a mile off.
The closing is arguably abrupt but is possibly intentional as it leaves you wanting more. The critiques maybe a little hard on Riddick but considering it is a third in a film series spurred from such humble beginnings, an inviolate first (small comparison to is sequel) Riddick is entertaining viewing.
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