Critic Reviews



Based on 34 critic reviews provided by Metacritic.com
Hart's exasperated dervish shtick has moments of real live-wire anarchy, including one priceless gag at a firing range. Will it be enough to make Hart a household name? Maybe. But both he and his fans deserve better.
Many Jerry Lewis staples, including bratty children and imposing tough guys, are present and accounted for; at one point, Hart even childishly leaps into Ice Cube’s arms, Lewis-style.
A lazy and listless buddy-cop action-comedy that fades from memory as quickly as its generic title.
He (Fishburne) rips into his dialogue like steak, savoring every word as if he were paid by the syllable. For a moment, we’re in a different movie, one where someone has decided to singlehandedly deconstruct a cliché. It’s a very short moment.
You can practically see Hart straining to break free of the script and let loose with a wild improvisational rant, and you never lose hope that he might. (Spoiler alert: He doesn’t.)
This rote buddy-cop action comedy is instantly forgettable. We’ve seen it all before, and worse than that, we’ve seen it done far better in films ranging from last year’s "The Heat" to Eighties classics such as "Midnight Run" and "Lethal Weapon."
The film refuses to openly engage the isolationism and hardened cynicism that's often part and parcel of being a career police officer.
A little Kevin Hart goes a long way in Ride Along, a dull buddy picture engineered as a vehicle for the mini motor mouth and the perma-sneering Ice Cube.
Village Voice
Forget going soft — Ride Along proves Ice Cube's got bigger image problems than kiddie movies and Coors Light commercials.
Ride Along tries to be a comic version of “Training Day,” only there’s nothing in it as funny as Denzel razzing Ethan. There’s nothing much funny in it at all.

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