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La plume empoisonnée 

Inspector Lampion gets badly wounded during a case and has to rest. Superintendent Larosière rents a room for him in a small village which looks the perfect place to recover, except someone is sending ugly poison-pen letters.

Director:

Eric Woreth

Writers:

Agatha Christie (creator), Anne Giafferi (developer) | 3 more credits »
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Cast

Episode cast overview, first billed only:
Antoine Duléry ... Larosière
Marius Colucci Marius Colucci ... Lampion
Anaïs Demoustier ... Louise
Christophe Alévêque Christophe Alévêque ... Kochenko / Malaverde
Françoise Bertin Françoise Bertin ... Emilie Dubreuil
Frédéric Pierrot ... Jean Villiers
Laurence Côte Laurence Côte ... Rose Villiers
Catherine Wilkening ... Henriette Simonet
Olivier Rabourdin ... André Simonet
Corinne Masiero Corinne Masiero ... Angélique
Julie Ravix Julie Ravix ... Mathilde
Cyrille Thouvenin ... Père Hector
Sara Pasquier Sara Pasquier ... Clara (as Sarah Pasquier)
Fanny Chevalier Fanny Chevalier ... Guite (as Fanny Chevallier)
Cassandre Vittu de Kerraoul Cassandre Vittu de Kerraoul ... Clémence
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Storyline

Inspector Lampion gets badly wounded during a case and has to rest. Superintendent Larosière rents a room for him in a small village which looks the perfect place to recover, except someone is sending ugly poison-pen letters.

Plot Summary | Add Synopsis

Genres:

Comedy | Crime | Drama | Mystery

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Details

Country:

France | Switzerland

Language:

French

Release Date:

11 September 2009 (France) See more »

Also Known As:

Syyttävä sormi See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Color:

Color

Aspect Ratio:

1.78 : 1
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Did You Know?

Connections

Version of Agatha Christie's Marple: The Moving Finger (2006) See more »

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User Reviews

 
Christie survives all, even this very liberal adaptation.
16 June 2010 | by stuka24See all my reviews

As with the other chapters of these series, the technical aspects are very well, but the script sucks. Lesbianism, homophobia, almost pedophilia (Comissaire Jean Larosière. and Louise)... :). These series can have a blissful effect: you'll value more the classical adaptations, like the "Agatha Christie's Marple". Besides the fact this book was supposed to have Marple and not two (?) detectives, and that Poirot doesn't resemble at all Larosière. Anyway, one of his better hunches is to go to mass to find out the town's gossip. Only matched by Lampion's on Kochenko's faked homosexuality.

Louise (the unloved daughter) is beautiful, and succeeds to get from our detective some remarkable phrases, for once, not famous quotations. The nanny Clemence (!), Clara (the dead blonde), Guite (the nosy maid), Rose Viliers in her stern demeanour, and specially Mme. Henriette Simonet -Catherine Wilkening- (who looks like Fanny Ardant, maybe on purpose) are also very nice. Kochenko/ M. is my favourite character, he plays it really well. There are many "Mathildes" in this world, her life summed up by Larosière: "you only have to close the casket, and shut up". And also the tall ugly woman, Angélique, "Corinne Masiero" (Emile Dubreuil's maid), who only gets happy in front of a dead pig or her beloved mother. Maitre André Simonet is also great at being disgusting: "What are your plans? Nothing, as always? Don't think! I won't feed you for long" (to his daughter, when she returns from the boarding school).

Émile Lampions's got a notebook called "DSI" (unimportant details). But to judge what is irrelevant versus stealing ideas has never been that easy: Every film buffs knows there is a really good film also dealing, not surprisingly, with a mysterious character who signs as "the crow" and sows distrust in a tiny village. http://www.imdb.com/title/tt0035753/ Henri-Georges Clouzot is a genius, while this crew seems to have copied only the basic idea, but not the style nor the charm.

Larosière indulges in some tenderness for Lampion: "He's the son I never had... he's got ... qualities I lack". As somebody who's always being treated badly, with scorn in the series, like it usually happens in the genre, it was a pleasant if belated surprise. I am thinking about the masterful "Inspector Morse" but there are others we all can think of.

Trying to be positive, I'll end quoting L's love lines for her unlikely romantic attachment of this occasion: "I won't forget you, but you will, and that's fine". Followed, later, by: "I'd rather have regrets than repentance/ je prefere avoir des regrets que du remords".


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