A woman transformed into a giant after she is struck by a meteorite on her wedding day becomes part of a team of monsters sent in by the U.S. government to defeat an alien mastermind trying to take over Earth.
After six years of keeping our malls safe, Paul Blart has earned a well-deserved vacation. He heads to Las Vegas with his teenage daughter before she heads off to college. But safety never takes a holiday and when duty calls, Blart answers.
An Englishman returns after nine years abroad and tells strange stories of the tiny people of Lilliput, the giants of Brobdingnang, the flying island Laputa, and the Houyhnhnms, a race of intelligent horses.
Lemuel Gulliver has been working in the mail room of a New York daily newspaper for the past ten years. Afraid to put himself out there, he considers himself a loser, as do all his peers. One day, after having finally had enough, he decides to declare his flame to the beautiful Darcy Silverman, the newspaper's travel editor and one of Gulliver's only friends...only to chicken out at the last minute and instead tell her that he'd like to try his hand at writing a column. Darcy accepts and sends him on an assignment to the Bermuda Triangle. There, Gulliver becomes shipwrecked and ends up on the island of Liliput, where he is twelve times taller than the tallest man. For the first time, Gulliver has people looking up to him.Written by
Although critics and audiences disliked it for being too gross and childish, the part when Gulliver saves the King from the fire in the palace by putting it out with urine is actually taken directly from Jonathan Swift's book. However, in the original novel the person rescued in this manner is the Queen. See more »
At the end of the movie, when the credits are shown like a newspaper, an impossible period of time is shown: June 20 2011 - June 3 2011. See more »
The end credits are presented as part of newspaper clips from Gulliver's column. Surrounding the credits is actual text from the original novel by Jonathan Swift, and mentions some adventures from the book that are not featured in the movie, such as the encounters with the subhuman "yahoos". See more »
In the latest Gulliver go round ( there have been at least a dozen variations since 1902) we have a production of enormous precise detail vividly brought alive by state of the art special effects, grand set design and lavish costuming all crushed by the uninspired casting of the slobbering one note buffoon Jack Black in the title role. In his pudgy mitts the Swiftian satire becomes another heavy handed, predictable goof ball routine of sly eyed impishness and soft hearted sweetness applied in the same manner as in the rest of his "zany" canon.
Lemuel Gulliver sets out for the Bermuda Triangle to prove himself as a journalist and to win the heart of the girl of his dreams. Blown off course by a raging tropical storm he finds himself on the the tiny island of the tiny people, Liliput. Gaining their trust he is soon the rage of the land improving infrastructure and counseling the lovelorn. All goes well until he is challenged by General Edward and is humiliated before all who look up to him. Can Gulliver redeem himself? What's more important is that the filmmakers have enough story to fill the second half with fun pyrotechnics.
Black's cuddly bear, man child grows more tiresome with each performance and in Gulliver it's lights out early with the same boorish routine the ubiquitous media gadfly projects whether playing a role or doing an interview. Director Rob Letterman's film does have a precious look and he does inject some nice Python humor here and there but it is all obscured by Black's beached whale of a Gulliver. For lazy parents looking for a baby sitter, the film might serve as that crazy and funny uncle that can occupy the kiddies for two hours. Make sure though you send them with an older sibling. Unlike this loser of a film it will be a win, win for you to abstain.
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