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Kill Your Darlings (2013)

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A murder in 1944 draws together the great poets of the beat generation: Allen Ginsberg, Jack Kerouac, and William Burroughs.

Director:

John Krokidas

Writers:

Austin Bunn (screenplay), Austin Bunn (story) | 1 more credit »
5 wins & 13 nominations. See more awards »

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Cast

Cast overview, first billed only:
Daniel Radcliffe ... Allen Ginsberg
Dane DeHaan ... Lucien Carr
Michael C. Hall ... David Kammerer
Jack Huston ... Jack Kerouac
Ben Foster ... William Burroughs
David Cross ... Louis Ginsberg
Jennifer Jason Leigh ... Naomi Ginsberg
Elizabeth Olsen ... Edie Parker
John Cullum ... Professor Steeves
Brenda Wehle ... Permissions Librarian
Erin Darke ... Gwendolyn
Craig Chester ... Businessman
Lenore Harris Lenore Harris ... DA Secretary
Mark Ethan ... Campus Guard
Zach Appelman ... Luke Detweiler
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Storyline

In the early 1940s, Allen Ginsberg is an English major at Columbia University, only to learn more than he bargained for. Dissatisfied by the orthodox attitudes of the school, Allen finds himself drawn to iconoclastic colleagues like Lucien Carr, William S. Burroughs and Jack Kerouac. Together, this gang would explore bold new literary ideas that would challenge the sensibilities of their time as the future Beat Generation. However, for all their creativity, their very appetites and choices lead to more serious transgressions that would mark their lives forever. Written by Kenneth Chisholm (kchishol@rogers.com)

Plot Summary | Add Synopsis

Taglines:

A true story of obsession and murder


Motion Picture Rating (MPAA)

Rated R for sexual content, language, drug use and brief violence | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

19 September 2013 (Croatia) See more »

Also Known As:

Ubij svoje najdraže See more »

Filming Locations:

New York City, New York, USA See more »

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Box Office

Opening Weekend USA:

$53,452, 20 October 2013

Gross USA:

$1,030,064

Cumulative Worldwide Gross:

$1,877,924
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

First feature film directed by John Krokidas. See more »

Goofs

The Columbia University library tour guide proudly identifies a book as a first folio edition of "Hamlet." There is no such edition. "Hamlet" was published in quarto editions (half the size of folio) during Shakespeare's life. The only folio editions of Shakespeare's work were the posthumous collections of his complete plays. See more »

Quotes

Allen Ginsberg: You got me and Jack and Bill making your vision come true because you can't do it yourself.
Lucien Carr: No, Allen. You got what you wanted. You were ordinary, just like any other freshman and I made your life extraordinary. Go be you, now all by yourself. Leave me alone!
Allen Ginsberg: [crying] You don't mean... you don't mean that.
Lucien Carr: Allen. Leave!
See more »

Crazy Credits

The first part of the end credits run over the top of photographs of the real Allen Ginsberg, Jack Kerouac, Lucien Carr and William S. Burroughs. See more »

Connections

Featured in Film 2017: Episode dated 3 December 2013 (2013) See more »

Soundtracks

Symphony No.3 in F Major, Op.90
Written by Johannes Brahms
Courtesy of APM Music
See more »

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User Reviews

 
Slightly Muddled Tale of the Beat Generation
11 December 2013 | by l_rawjalaurenceSee all my reviews

John Krokidas' film explores the early life of Allen Ginsberg (Daniel Radcliffe), and how he came into contact with Lucien Carr (Dane DeHaan), Jack Kerouac (Jack Huston), and William Burroughs (Ben Foster). Through their association the ideas of the Beat Generation were born. The film starts off very promisingly, depicting Ginsberg's early life at home in Paterson, New Jersey, and his subsequent career at Columbia University. We understand something of he and his friends wanted to rebel against established conventions - not only literary but societal conventions. The 'official' view, as propounded by Professor Stevens (John Cullum) seems stuffy and old-fashioned. As the action progresses, however, so the film's priorities become diluted; rather than focusing on the genesis of the Beats, the action concentrates instead on the complex love-triangle involving Lucien, Allen and David Kammerer (Michael C. Hall). We are given the distinct suggestion all of three of them are emotionally immature, which thereby reduces the significance of their 'rebellion.' Matters are not helped by Radcliffe's rather colorless performance as Ginsberg - his expressions rarely change from being rather bemused as what's happening around him. A brave attempt at recreating the values of a previous generation, but the director seems to lose the courage of his convictions.


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