At the age of forty, Dame Margot Fonteyn (Anne-Marie Duff) is considered to be past her best as a prima ballerina and Dame Ninette de Valois is reducing her roles at the Royal Ballet. Then ... See full summary »
Two incomplete opera buffo fragments composed by Mozart three years before Figaro, Lo Sposo Deluso (The Deluded Bridegroom), which details the travails of a deluded bridegroom and L'Oca del... See full summary »
The wife and daughter of the president of an African state were kidnapped by terrorists. The American embassador tries to liberate them and reactivates therefore an agent who is in prison ... See full summary »
"Margot" is a no-holds barred documentary about the great ballerina - perhaps the greatest - Margot Fonteyn. She had a great talent for not only dancing but expression, and she had beauty. The documentary makes the point that what she didn't have was good judgment.
This documentary goes through her entire life and how she got into dance, her triumphant debut in America after the war, her marriage to Roberto "Tito" Arias, her partnership with Nureyev, and her very late retirement.
I had seen a documentary where Fonteyn was interviewed herself, and also read her autobiography. Well, all that was just the tip of the iceberg. Now that she's gone, there's more to the story. It's shocking and sad.
This documentary goes into her gun-running for her Panamanian husband, who was planning a revolution; her miscarriage with what was probably Nureyev's child; the shooting of her husband, which resulted in him becoming a quadriplegic; her difficulties with her stepson, and her sad death.
Fonteyn was unable to retire as early as most ballerinas because she needed the money. What she made, her husband took to finance his revolution, his political campaign, and to buy cattle for their farm. As far as the shooting he was involved in, it was apparently over a woman.
She was beloved by everyone who knew her, many of whom are interviewed here: Robert Helpmann, dance partner Michael Somes, Moira Shearer, Sir Frederick Ashton, Clive Barnes, family members of both hers and the Arias family, fellow dancers, and many others.
The picture that emerges is that of a woman under constant pressure, who never wanted to let anyone down, who worked with horrible arthritis and bleeding feet, a woman who, despite what seems to be bad treatment by her husband, was tirelessly devoted to him, a woman who, as one of the interviewees said, "needed to be needed," who died a pauper with Nureyev picking up her medical bills.
A fascinating, sad story of one of the great artists of the 20th century, her generosity of spirit, her loyalty, and her love. Truly not to be missed.
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