Ron Stallworth, an African American police officer from Colorado Springs, CO, successfully manages to infiltrate the local Ku Klux Klan branch with the help of a Jewish surrogate who eventually becomes its leader. Based on actual events.
John David Washington,
The story of Dick Cheney, an unassuming bureaucratic Washington insider, who quietly wielded immense power as Vice President to George W. Bush, reshaping the country and the globe in ways that we still feel today.
In early 18th century England, a frail Queen Anne occupies the throne and her close friend, Lady Sarah, governs the country in her stead. When a new servant, Abigail, arrives, her charm endears her to Sarah.
In May 1940, the fate of Western Europe hangs on British Prime Minister Winston Churchill, who must decide whether to negotiate with Adolf Hitler, or fight on knowing that it could mean a humiliating defeat for Britain and its empire.
Kristin Scott Thomas
A Biopic on the life of the legendary American Astronaut Neil Armstrong from 1961-1969, on his journey to becoming the first human to walk the moon. Exploring the sacrifices and costs on the Nation and Neil himself, during one of the most dangerous missions in the history of space travel.Written by
The "1201" and "1202" alarms that sounded during the lunar descent was an indication that the computer was receiving more data than it could process. The procedure to fix this was to cycle the switch, which essentially ended the bottleneck. This was not the last time this error had been encountered in an Apollo flight. When Apollo XII was struck by lightning during its launch, it also triggered a 1202. See more »
During the Gemini 8 scene, Scott is shown to use the Manual Data Insertion Unit (MDIU) and flip-switches to command the Agena. The MDIU was only used to interact with the Gemini OnBoard Computer (OBC), and neither it nor the flip-switches interacted with the Agena. The flip-switches used appear to be the ones for the radio beacons, telemetry and of the Gemini.
To send commands to the Agena, the pilot would've used the encoder (situated on the pilot front panel, just below the MDIU), which is operated by rotating an inner and outer wheel to enter the two first digits of the command, with a small handle to enter the last digit (either a 1 or a 0) and transmit.
While 400 is the command for turning the Agena ACS off, entering 4-0-0 and enter takes whatever is displayed on the MDIU, sets the first digit to 0, and writes it to core memory location 40. See more »
I don't know what space exploration will uncover, but I don't think it'll be exploration just for the sake of exploration. I think it'll be more the fact that it allows us to see things. That maybe we should have seen a long time ago. But just haven't been able to until now.
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The opening scene will take your breath away. I don't think a single cell in my body flinched for a solid five minutes as I watched Neil Armstrong (Ryan Gosling) fight to keep his craft from floating away into space. The scene is spectacular visually and in every sense of filmmaking execution. It's also a bit misleading.
The rest of the movie, aside from the moon landing, is remarkably tame. It's quiet. There are virtually no loud outbursts or emotional speeches. This story is about people doing their jobs, completing their missions. Gosling understands this and plays to Armstrong's stoicism perfectly. He is often an understated actor, choosing to let his subtle facial movements and glints of the eyes do as much talking as what actually comes out of his mouth. Neil is much the same except even less outwardly expressive. He clearly comes from a generation that did not display emotion. They suffered in silence, which no doubt frustrated many family members, especially spouses.
Armstrong's wife Janet (Claire Foy) is a classic case of a spouse desperate to glimpse beyond his emotional shield. She restrains for the most part, but her building frustration is apparent throughout. When she finally does unleash her emotions, it's startling. Her outbursts stand out in such stark contrast to the silence that we see from the other characters. Foy is smart and measured with every choice she makes, and she never comes across as unhinged or overly supportive to a point of unbelievability. She's strong as a quiet devoted partner and strong when she senses the need to speak up. Look for her to add another award nomination to her resume come that time of year.
For as great as Gosling and Foy are, Damien Chazelle is the star of this movie, just like he has been the star of every one of his movies. I don't mean this as a bad thing. They guy is simply so skilled at what he does that his impact stands out among all the other standouts in his movies. He doesn't take the conventional approach to a space movie, which is to hammer viewers with showy visuals and action sequences. He's careful not to overdo it those areas, instead focusing on Armstrong's psyche and life outside the space shuttle. Chazelle crafts a personal, intimate film and shoots it in a creative way that uses a variety of framing choices so the closeups never feel stale.
This is a giant story told on a deliberately small scale. The choice to focus on Armstrong's objectively less captivating homelife rather than the moon mission is risky. Only the most talented of filmmakers, which Chazelle is, could pull it off. "First Man" is another showcase of Chazelle's mastery. He's one of the best directors currently working. The fact that this film may eventually be considered Chazelle's 6th or 7th best and is still this excellent, is a tribute to his talent.
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