Astronaut Sam Bell has a quintessentially personal encounter toward the end of his three-year stint on the Moon, where he, working alongside his computer, GERTY, sends back to Earth parcels of a resource that has helped diminish our planet's power problems.
In 2074, when the mob wants to get rid of someone, the target is sent into the past, where a hired gun awaits - someone like Joe - who one day learns the mob wants to 'close the loop' by sending back Joe's future self for assassination.
Sam Bell has a three year contract to work for Lunar Industries. For the contract's entire duration, he is the sole employee based at their lunar station. His primary job responsibility is to harvest and periodically rocket back to Earth supplies of helium-3, the current clean and abundant fuel used on Earth. There is no direct communication link available between the lunar station and Earth, so his only direct real-time interaction is with GERTY, the intelligent computer whose function is to attend to his day to day needs. With such little human contact and all of it indirect, he feels that three years is far too long to be so isolated; he knows he is beginning to hallucinate as the end of his three years approaches. All he wants is to return to Earth to be with his wife Tess and their infant daughter Eve, who was born just prior to his leaving for this job. With two weeks to go, he gets into an accident at one of the mechanical harvesters and is rendered unconscious. Injured, he ...Written by
Producer Stuart Fenegan performed the stunt when Sam hits his head, because the stuntman was not present on that day and, as Fenegan put it in the DVD commentary, he was the only person who would not have sued the production in case of the stunt going wrong. Fenegan was quite proud of how his shot turned out. See more »
When Sam aborts his launch home, by stopping the launch bay door from closing, the headlight on his space suit is switched on. Immediately afterwards as he is climbing out, it is switched off. See more »
There was a time when energy was a dirty word. When turning on your light was a hard choice. Cities in brown-out. Food shortages, cars burning fuel to run. But that was the past. Where are we now? How do we make the world so much better? Make deserts bloom? Right now we are the largest producer of fusion energy in the world. The energy of the sun trapped in rock, harvested by machine from the far side of the moon. Today we deliver enough clean-burning helium-3 to supply ...
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The fictional company which owns and operates the lunar base is called Lunar Industries Ltd. As a nod to this, the production company used to make the movie is also called Lunar Industries Ltd (UK Companies House company number 06346944), whose company directors are Duncan Zowie Hayward Jones (the movie's director) and Stuart Douglas Fenegan (one of the movie's producers). See more »
While book racks are brimming with thought provoking, high concept science fiction, the movie genre tends to be populated by invading aliens, intergalactic wars, and adventure, which makes Director and co-writer Duncan Jones' Moon that much more of an oddity.
Not since Steven Soderbergh's much overlooked 2002 rendition of Stanislaw Lem's Solaris has a movie firmly rooted in the sci-fi realm delivered reflections on the human condition, which Moon does deftly.
It tells the story of Sam Bell (Sam Rockwell), the only inhabitant of an automated lunar mining base extracting Helium-3 from lunar rocks to be shipped back to Earth to fuel the energy starved planet.
Sam's isolated three year posting is about to come to an end and he longs to return to Earth to see his wife. His only company throughout this sojourn has been that of Gerty, the base's HAL-like robot voiced by Kevin Spacey. Unfortunately, the final weeks and days are proving to be the most difficult, and Sam finds himself going a bit squirrelly, leaving both he and the audience to wonder if what's unfolding is actually happening, or merely a drama taking place in his addled mind.
That's about as much plot detail as I'm going to deliver, for to delve any deeper into the story would give too much away. Be prepared, however, for a thought provoking narrative that touches on issues such as scientific ethics, corporate greed, human identity, and compassion.
There are no aliens, lasers/phasers, wormholes, warp engines or jump drives here, just a lonely space age concierge, an unflappable monotone robot, and a whole lot of fodder for your brain to chow down on.
This is what science fiction was meant to be.
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