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The Good Herbs (2010)

Las buenas hierbas (original title)
"Las Buenas Hierbas". Daughter of a herb healer woman dealing with illness try to found empathy with each other.


María Novaro


María Novaro (screenplay), María Novaro
6 wins & 3 nominations. See more awards »


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Cast overview:
Úrsula Pruneda ... Dalia
Ofelia Medina ... Lala
Ana Ofelia Murguía ... Blanquita
Cosmo González Muñoz Cosmo González Muñoz ... Cosmo
Gabino Rodríguez Gabino Rodríguez ... Gabo
Miriam Balderas Miriam Balderas ... Ana
Alberto Estrella ... Luis
Luisa Pardo ... Quinceañera
Rodrigo Solis Rodrigo Solis ... El Rot


Dalias life changes when she must face Alzheimer's, the disease that attacks her mother Lola, an etno-botanist. This is a story about brain and plant chemistry and the human emotions. The invisible ties linking living beings to their dead and to nature, to which we all belong. It is about Mexican herbalism which shows us some plants that can help to heal the soul.

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Release Date:

20 August 2010 (Mexico) See more »

Also Known As:

The Good Herbs See more »

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A lyrical yet forceful version of contemporary women's lives
18 December 2010 | by elizabeth.matthewsSee all my reviews

Las Buenas Hierbas directed by Maria Novaro repeats a theme becoming somewhat commonplace in contemporary cinema: the relationship between mother and daughter, especially when daughtering has to become mothering. This film is untidy, certainly, but also lyrical and persuasive, with competent and convincing acting in the principal roles. The director has structured the script into chapters, with pauses between characterized by semi-still, semi-animated images from ancient herbal dictionaries, lending a historical and intellectual air to the story which matches the personality, fast deteriorating, of the mother. Woven into the main plot which describes in a number of both brilliantly scripted and improvised scenes how "young" sufferers from Alzheimers disease tend to fail fast, are several subplots dealing with a neighbor's desperate regret that she was unable to shield her granddaughter, portrayed as a ghostly permanent quinceanera, from murder; the daughter Dalia (beautifully played by Ursula Pruneda)and her casual affair with a very young acquaintance -- which seems irrelevant, except perhaps to emphasize her natural vitality, her lack of scruples despite her interest in the socio-political world around (emphasized also through the critical broadcasts at the independent radio station where she works). One might argue for a tighter script and more stringent editing; but the delicacy and forcefulness of the central characterizations reveal an unfortunate truth that will affect more and more of us -- especially women, especially daughters, as we age.

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