Lisbeth is recovering in a hospital and awaiting trial for three murders when she is released. Mikael must prove her innocence, but Lisbeth must be willing to share the details of her sordid experiences with the court.
A murder inside the Louvre, and clues in Da Vinci paintings, lead to the discovery of a religious mystery protected by a secret society for two thousand years, which could shake the foundations of Christianity.
Forty years ago, Harriet Vanger disappeared from a family gathering on the island owned and inhabited by the powerful Vanger clan. Her body was never found, yet her uncle suspects murder and that the killer is a member of his own tightly knit but dysfunctional family. He employs disgraced financial journalist Mikael Blomkvist and the tattooed, ruthless computer hacker Lisbeth Salander to investigate. When the pair link Harriet's disappearance to a number of grotesque murders from almost forty years ago, they begin to unravel a dark and appalling family history; but, the Vangers are a secretive clan, and Blomkvist and Salander are about to find out just how far they are prepared to go to protect themselves.Written by
Music Box Films
When having dinner at Martin Vanger's house, Mikael is offered a 21-year-old whiskey. This is Bushmills 21-year-old single malt, the oldest Irish single malt whiskey available as of release. See more »
When Lisbeth and Mikael have breakfast in the cabin, Lisbeth is putting ketchup on her breakfast. In the view of her from the front, the ketchup reaches all the way to the bottom of the plastic bottle. In the next shot, facing Mikael, the bottom of the bottle has almost no ketchup at all. See more »
What has happened to you? How did you turn out this way? You know everything about me. I don't know shit about you. Not a damn thing.
That's the way it is.
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Extended/TV version runs 30 min. longer and has its aspect ratio changed to 1.78:1. See more »
I hate to say it, but more rounded than Fincher's version
The Girl with the Dragon Tattoo has been a worldwide phenomenon for a while now. In book form, the original film, and the Hollywood remake. It is a disturbing, yet riveting tale, as is the story behind the author who made it. While Fincher's version is visually and stylistically more striking, I feel this original Swedish film does a better job bringing the disturbing mystery to the silver screen. Structured much more fluidly than the Hollywood version, the mystery of a missing girl flows and develops slowly, dishing out red herrings and suspense with each turn (something lacking in the Fincher version). It also stays closer to the original title of the book (and theme) Men who Hate Women. In the end, this is a dark tale of what rape does to women and to the world. Not everyone's idea of 'entertainment,' but a thought-provoking mystery for those with strong stomachs.
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