Piggy Banks tells the story of two charming and brilliant brothers who finance their lifestyle by robbing and murdering pretty much anyone foolish enough to get in the car with them. They ... See full summary »
Morgan J. Freeman
Set in 1980s seaside England, this is the story of Edward, an unusual ten-year-old boy growing up in an old people's home run by his parents. While his mother struggles to keep the family ... See full summary »
The relationship between Eric and Stephanie is floundering. They decide to leave for the Republic of Santiago to visit the famous ruins. Once there, they learn that a serial killer rages on steep roads of the region, eliminating drunk drivers.
On the run with the law on their trail, America's most anguished vampire family heads to England to find an ancient vampire clan. What they find instead could tear their family, and their throats, apart forever.
While driving a van through Mexico looking for a location for shooting a low-budget porn, Alphonse, Steve, Dallas, Debbie, the alcoholic Daisy and the pothead Jimbo get lost and meet a ... See full summary »
A young man is released from prison after many years and given a new identity in a new town. Aided by a supervisor who becomes like a father to him he finds a job and friends and hesitantly starts a relationship with a compassionate girl. But the secret of the heinous crime he committed as a boy weighs down on him, and he learns that it is not so easy to escape your past.Written by
Peter Brandt Nielsen
This movie hearkens back to the great working class British film dramas of the 1960s. Inspired, I believe, by an actual crime of about a decade ago, in which one child killed another child, the movie provocatively imagines the life of the killer many years afterward. At one point the protagonist is called a monster by a character who has never met him. I was reminded of the cover of a major news magazine at the time of the Columbine massacre, which featured a picture of the adolescent killers with the caption "monsters." I thought to myself that, however disturbed, these are still human beings more like than unlike the rest of us, and what does it say about the rest of us if we deny their humanity and refuse to look at the source of their disturbance? This is the very starting point of "Boy A" and the conclusions it reaches about "the rest of us" are bleak. This is a deeply, disturbingly sad movie. I found it intensely involving, and intensely moving. However, if you watch it, be prepared for a vision of humanity so dark that the most humane character in the story is a murderer.
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