Filmed over 12 years with the same cast, Richard Linklater's BOYHOOD is a groundbreaking story of growing up as seen through the eyes of a child named Mason (a breakthrough performance by Ellar Coltrane), who literally grows up on screen before our eyes. Starring Ethan Hawke and Patricia Arquette as Mason's parents and newcomer Lorelei Linklater as his sister Samantha, BOYHOOD charts the rocky terrain of childhood like no other film has before. Snapshots of adolescence from road trips and family dinners to birthdays and graduations and all the moments in between become transcendent, set to a soundtrack spanning the years from Coldplay's Yellow to Arcade Fire's Deep Blue. BOYHOOD is both a nostalgic time capsule of the recent past and an ode to growing up and parenting.Written by
The precise timeframe of the film is never made completely clear. The constantly changing time setting can only be identified by pop-culture references, the soundtrack, and advances in the technology used by the characters. The production staff was careful to only use songs in scenes which took place in or soon after the songs, respective years of production. See more »
(around 45 min.) The cameraman is vaguely reflected on Mason Evans Sr.'s car door. See more »
Do you still love dad?
I still love your father, but that doesn't mean it was healthy for us to stay together.
What if after we move he's trying to find us, and he can't?
See more »
Written by Guy Berryman (as Guy Rupert Berryman), Jon Buckland (as Jonathan Mark Buckland ), Will Champion (as William Champion) and Chris Martin (as Christopher Martin)
Performed by Coldplay
Published by Universal Music - MGB Songs on behalf of Universal Music Publishing MGB L.T.
Courtesy of Parlophone Records Ltd.
By arrangement with Warner Music Group Film & TV Licensing See more »
By some miracle, the run time of this movie has proved to be the exact same length as that of the forth installment of the Transformers franchise. Having slogged through nearly three hours of robots hitting robots shot from a camera permanently fixed between the thighs of our lead female protagonist a week earlier, Richard Linklater's latest contribution to modern cinema was a more than welcome reminder that visionary filmmakers still exist, and that the actual run time compared to how long the run time feels speaks much of film quality.
Boyhood documents the early life of a boy called Mason, beginning at six, then continuing all the way through middle-school, high school and eventually his move to college at eighteen years of age. Although the story line is fairly simplistic and one might argue, unadventurous, the sheer ambition of the director is reason enough to hand your money over; shot over twelve years with the same group of actors, audiences can experience the true evolution of a character like never before.
However as Linklater said himself, if the audience see this merely as an experiment, then he has failed at his task. The movie has its own story to tell. The aforementioned criticism of an overly simplistic plot is what makes the story so identifiable not just for young people, but for adults as well; the film could easily be called 'adulthood' or 'parenthood' or even take a more generalised title of 'Life' - Linklater understands people, and is therefore one of the few modern filmmakers who understands the importance of well-rounded, interesting and relatable characters to tell a story.
When watching Boyhood, you don't think of the ramifications, the possible pitfalls and how difficult it must have been to make. You instead choose to enjoy it at surface level, only truly appreciating the sheer brilliance of what has been achieved after the film. This really is a once-in-a-lifetime film and therefore a once-in-a-lifetime experience for anyone watching it. Soon to be a modern classic, this is a picture that will be looked back on as one of the greatest ever made.
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