Critic Reviews



Based on 14 critic reviews provided by
Boston Globe
The women of Perry's army will come out feeling they've been well-served, and for the rest of us there's Bassett, getting her groove back after a spate of less than worthy roles. Perry's getting his groove, too - I give him two more films and an A-list cameraman.
Often plays more like "Tyler Perry's Greatest Hits" as it recycles various elements from the writer-director's earlier works.
What he serves up -- a mixture of moralism and forgiveness, semibawdy humor and cautionary drama, mockery and affection -- may sometimes lack coherence, but never integrity.
Features a fine performance by Angela Bassett, but her work is the sole subtle element.
Many of the cast members originated their roles onstage, and the ensemble scenes capture the spirited sense of fun that is Perry's trademark.
Philadelphia Inquirer
The playwright, actor, director and drag queen (yes, his bewigged and be wild Madea makes a brief and totally gratuitous appearance in his new film) knows how to give human dimension, and a dimension of humor, to the cliches and stereotypes.
Village Voice
Surprisingly half-decent--surprising because Perry’s not about to switch up his hardly revelatory but consistently bankable box-office signature:
The Globe and Mail (Toronto)
Perry's methods are never subtle, but no contemporary filmmaker works harder to make sure ribs are tickled and tears are jerked.
The A.V. Club
Browns is ultimately a victim of its creator's success: What once felt novel now feels well-worn, following the success of Perry's films and imitators like "First Sunday."
There are a few laughs and some touching moments, but nothing you couldn't get by watching episodes of "Good Times" and "Little House on the Prairie" back to back.

More Critic Reviews

See all external reviews for Meet the Browns (2008) »

See also

Awards | FAQ | User Reviews | User Ratings | External Reviews

Recently Viewed