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The Way Back (2010)

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Siberian gulag escapees travel 4,000 miles by foot to freedom in India.

Director:

Peter Weir

Writers:

Keith R. Clarke (screenplay) (as Keith Clarke), Slavomir Rawicz (novel) | 1 more credit »
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Popularity
2,864 ( 154)
Nominated for 1 Oscar. Another 3 wins & 4 nominations. See more awards »

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Cast

Cast overview, first billed only:
Dragos Bucur ... Zoran
Colin Farrell ... Valka
Ed Harris ... Mr. Smith
Alexandru Potocean ... Tomasz
Saoirse Ronan ... Irena
Mark Strong ... Khabarov
Gustaf Skarsgård ... Voss
Jim Sturgess ... Janusz
Sebastian Urzendowsky ... Kazik
Zachary Baharov ... Interrogator (as Zahari Baharov)
Sally Brunski Sally Brunski ... Janusz's Wife, 1939 (as Sally Edwards)
Igor Gnezdilov Igor Gnezdilov ... Bohdan
Dejan Angelov Dejan Angelov ... Andrei
Stanislav Pishtalov Stanislav Pishtalov ... Commandant
Mariy Grigorov Mariy Grigorov ... Lazar (as Marii Grigorov)
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Storyline

In 1941, three men attempt to flee communist Russia, escaping a Siberian gulag. The film tells their story and that of four others who escaped with them and a teenage girl who joins them in flight. The group's natural leader is Janusz, a Pole condemned by accusations secured by torturing his wife, spent much of his youth outdoors, and knows how to live in the wild. They escape under cover of a snowstorm: a cynical American, a Russian thug, a comedic accountant, a pastry chef who draws, a priest, and a Pole with night blindness. They face freezing nights, lack of food and water, mosquitoes, an endless desert, the Himalayas, as well as many moral and ethical dilemmas throughout the journey towards freedom. Written by <jhailey@hotmail.com>, Shahob, Bellingham, WA, US

Plot Summary | Plot Synopsis

Plot Keywords:

gulag | desert | priest | india | himalayas | See All (83) »

Taglines:

Their escape was just the beginning


Motion Picture Rating (MPAA)

Rated PG-13 for violent content, depiction of physical hardships, a nude image and brief strong language | See all certifications »

Parents Guide:

View content advisory »
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Details

Language:

Tibetan | Mongolian | English | Russian | Polish

Release Date:

21 January 2011 (USA) See more »

Also Known As:

Camino a la libertad See more »

Filming Locations:

Morocco See more »

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Box Office

Opening Weekend USA:

$1,208,196, 23 January 2011

Gross USA:

$2,701,859

Cumulative Worldwide Gross:

$20,348,249
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

The film begins with the following statement: "In 1941 three men walked out of the Himalayas into India. They had survived a 4000 mile walk to freedom. This film is dedicated to them." This is accurate and based on historical evidence, but those 3 men were not Slavomir Rawicz or others from his largely fictitious escape story. The BBC reported in 2010: "We learned of a British intelligence officer who said he had interviewed a group of haggard men in Calcutta in 1942 - a group of men who had escaped from Siberia and then walked all the way to India. And then from New Zealand came news of a Polish engineer who had apparently acted as an interpreter for this very same interview in Calcutta with the wretched survivors. These stories are second-hand, and far from conclusive proof, but for Mr Weir [director Peter Weir], they convinced him that there was an essential truth in the story that he wanted to retain: 'There was enough for me to say that three men had come out of the Himalayas, and that's how I dedicate my film, to these unknown survivors. And then I proceed with essentially a fictional film.' This is why the film has a new title, 'The Way Back', and why the central character is not called Slavomir Rawicz." See more »

Goofs

Janusz demonstrates a method using shadows of a stick and rock to find the compass direction of south. Yet, many of the scenes show them walking in a direction inconsistent with sun angles i.e. sun at their backs, which would have them walking north. See more »

Quotes

[first lines]
[in Polish, using English subtitles]
Interrogator: [presents pen to sign confession]
Janusz: No.
Interrogator: Bring in the witness.
Janusz's Wife, 1939: [brought in]
Interrogator: Do you know this man? His name?
Janusz's Wife, 1939: Janusz Wieszczek.
Interrogator: Witness, what's your relationship with this man?
Janusz's Wife, 1939: [crying] I am his wife.
[...]
See more »

Connections

Featured in The Hour: Episode #7.78 (2011) See more »

Soundtracks

Tibet
Written by Burkhard Dallwitz
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Frequently Asked Questions

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User Reviews

 
Peter Weir goes from ocean to desert
16 November 2010 | by doubleoSee all my reviews

Peter Weir's follow-up to Master & Commander (2003) is the unflinching, stark, & brilliant The Way Back, which takes on the weighty theme of man's struggle for freedom.

At the dawn of WWII, several men escape from a Russian gulag. The film details their perilous & uncertain journey to freedom, as they cross deserts, mountains, & several nations.

The cast is a clever mix of seasoned pros & relative newcomers. Ed Harris, in the role of the sole American, lends his usual gravitas. Colin Farrell borrows from his In Bruges character, but the addition of bad jailhouse tattoos is wildly amusing, & his Russian is quite passable. It's always nice to see Mister Farrell doing serious work, rather than bland fluff like Miami Vice or SWAT. Mark Strong's brief, but plot-essential appearance is joyous.

Jim Sturgess gets a chance to redeem himself from the disastrous flop 21, & does a fine job here, as the central character. & the adolescent Saoirse Ronan belies her extensive & impressive resume with an understated performance that sparkles against the men's terse asperity.

Breathtaking vistas that serve as the backdrop to the cast's efforts lend The Way Back an epic feel, echoed by mature editing, & mavellously restrained use of music.

This is, quite possibly, the most serious film Peter Weir has ever directed, & the result is both thought-provoking & inspiring. We can only hope that it gets a proper release, & is allowed an opportunity to reach its grown-up audience.


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