A fateful event leads to a job in the film business for top mixed-martial arts instructor Mike Terry. Though he refuses to participate in prize bouts, circumstances conspire to force him to consider entering such a competition.
Following the theft of a postal-order, a fourteen-year old cadet is expelled from Naval College. To save the honour of the boy and his family, the pre-eminent barrister of the day is engaged to take on the might the Admiralty.
A recently paroled ex-con who has trouble adjusting to the wacky normalcy of life outside of prison. He has spent the last three years behind bars after getting caught committing a crime and taking the rap for his much more dangerous pal.
Follow actor J Kimball as he researches what it's like to be old for a role in an upcoming movie. When he meets the residents at The Coconuts convalescent home, he quickly discovers that ... See full summary »
Is there room for principle in Los Angeles? Mike Terry teaches jujitsu and barely makes ends meet. His Brazilian wife, whose family promotes fights, wants to see Mike in the ring making money, but to him competition is degrading. A woman sideswipes Mike's car and then, after an odd sequence of events, shoots out the studio's window. Later that evening, Mike rescues an action movie star in a fistfight at a bar. In return, the actor befriends Mike, gives him a gift, offers him work on his newest film, and introduces Mike's wife to his own - the women initiate business dealings. Then, things go sour all at once, Mike's debts mount, and going into the ring may be his only option.Written by
David Mamet had been studying jiu-jitsu for about six years prior to making the film. See more »
In the program opened by Emily Mortimer's character in the tournament, a freeze frame reveals that the bios for the fighters are simply a continuous block of text referring to a fighter named "David," and the text is repeated on the left and right sides of the program. See more »
Tie him up.
The hands are not the issue. The fight is the issue. The battle is the issue. Who imposes the terms of the battle will impose the terms of the peace. Think he has a handicap? No. The other guy has a handicap if he cannot control himself. You control yourself, you control him.
Take him to court.
See more »
I just saw this movie yesterday at the Tribeca Film Festival, NYC. I have never posted a review at IMDb before, in spite of being a loyal visitor to this website for 10 years now. However, after watching Redbelt, I have been forced to say something.
In short the film is about a martial arts instructor who is too idealistic for the real world around him. Thats why he stays safely behind the confines of his teaching academy. One night though, a series of events changes everything and he is forced to come out into the open and confront the consequences of the ripple effect.
This confrontation, in the hands of David Mamet becomes white hot and you can feel the tension of the film in your pulse. The audience applauded many scenes and in the end I think the standing ovation must have lasted five minutes or more. Many people also felt that this film should have been considered for the Cadillac Award, and were disappointed that Redbelt was ineligible for the top competition honor.
As always taut screenplay and cracking dialogues were the hallmark of the film, like any other Mamet movie or play. During the course of the film I couldn't help but wonder at the raw intensity that Mamet manages to bring to his films. I have not been able to pin point so far, but I do see parallels between the protagonists of his earlier film Spartan (played by Val Kilmer) and Redbelt (played to greatness by the ever brilliant Chiwetel Ejiofor).
Overall an amazing film and Mamet fans won't be disappointed.
120 of 176 people found this review helpful.
Was this review helpful to you?
| Report this