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The Iron Lady (2011)

PG-13 | | Biography, Drama | 13 January 2012 (USA)
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An elderly Margaret Thatcher talks to the imagined presence of her recently deceased husband as she struggles to come to terms with his death while scenes from her past life, from girlhood to British prime minister, intervene.

Director:

Phyllida Lloyd

Writer:

Abi Morgan (screenplay)
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Popularity
3,789 ( 310)
Won 2 Oscars. Another 23 wins & 47 nominations. See more awards »

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Cast

Cast overview, first billed only:
Meryl Streep ... Margaret Thatcher
Jim Broadbent ... Denis Thatcher
Susan Brown ... June - Housekeeper
Alice da Cunha ... Cleaner
Phoebe Waller-Bridge ... Susie - Margaret's Secretary
Iain Glen ... Alfred Roberts
Alexandra Roach ... Young Margaret Thatcher
Victoria Bewick Victoria Bewick ... Muriel Roberts
Emma Dewhurst Emma Dewhurst ... Beatrice Roberts
Olivia Colman ... Carol Thatcher
Harry Lloyd ... Young Denis Thatcher
Sylvestra Le Touzel ... Hostess 1949
Michael Culkin ... Host 1949
Stephanie Jacob Stephanie Jacob ... Female Guest 1949
Robert Portal ... Grey Suited Guest - 1949
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Storyline

Elderly and a virtual prisoner in her own home due to her concerned staff and daughter Carol, Margaret Thatcher, Britain's first woman prime minister, looks back on her life as she clears out her late husband Denis's clothes for the Oxfam shop. Denis is seen as being her rock as she first enters parliament and then runs for the leadership of the Conservative Party, culminating in her eventual premiership. Now his ghost joins her to comment on her successes and failures, sometimes to her annoyance, generally to her comfort until ultimately, as the clothes are sent to the charity shop, Denis departs from Margaret's life forever. Written by don @ minifie-1

Plot Summary | Plot Synopsis

Taglines:

Never compromise

Genres:

Biography | Drama

Motion Picture Rating (MPAA)

Rated PG-13 for some violent images and brief nudity | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

UK | France

Language:

English

Release Date:

13 January 2012 (USA) See more »

Also Known As:

La dama de hierro See more »

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Box Office

Budget:

$13,000,000 (estimated)

Opening Weekend USA:

$220,409, 1 January 2012

Gross USA:

$30,017,992

Cumulative Worldwide Gross:

$114,956,699
See more on IMDbPro »

Company Credits

Production Co:

DJ Films, Pathé, Film4 See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

Anthony Head, who plays former Chancellor of the Exhequer Geoffrey Howe in this film, had a regular part as the Prime Minister in the British television sketch series Little Britain (2003). See more »

Goofs

When MP Airey Neave is in the parking garage (car park), a CCTV camera from at least 2001 is briefly visible just before Neave's car explodes. Neave was assassinated in 1979. See more »

Quotes

Margaret Thatcher: This lot seems bound to do the same... but they will rue the day.
See more »

Connections

Referenced in Christian Mingle (2014) See more »

Soundtracks

I'm in Love With Margaret Thatcher
(Michael Hargreaves, Kevin Hemingway, Roger Christian Rawlinson, Gary Antony Brown, and Steven Hartley (as Stephen John Hartley))
Published by Copyright Control
Performed by Notsensibles
Licensed courtesy of Notsensibles
See more »

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User Reviews

 
The Iron Lady Is More Than A Little Rusty
2 February 2012 | by the_rattlesnake25See all my reviews

It is not a rare occurrence to see a biopic centred on a political figure emerge during any given calendar year, nor is it uncommon to see a biopic appear when the subject is still alive. But, it is unusual to see a film materialize when the said political figure is controversial in nature and divides opinion across the board.

Director Phyllida Lloyd proves why it is so unusual in her biopic of Margaret Thatcher entitled 'The Iron Lady' – the nickname attributed to Thatcher by the Soviet press after her scathing attack on the Communist model – which gently saunters between the important political moments in her life, whilst also trying to convey an appearance of regret, sadness and guilt by creating a humanized portrayal of a woman once dubbed "the most hated woman in British Politics."

But instead of creating an engaging piece which examines the life of one of the most enigmatic Prime Ministers of the twentieth century, the audience instead is left with a dull, uninspired mess which simply evades some of the most important social, economic and political events of her life to instead attempt to create some semblance of regret and humanity from the inner depths of this aging former Head of State.

Told through the flashbacks of an ailing former Head of State, Margaret (Meryl Streep) constantly engages in conversation with her deceased husband Denis (Jim Broadbent) and her daughter Carol (Olivia Colman), as she remembers past events – the good, the bad and the downright terrible – during her time as a young woman attempting to achieve some form of acceptance in the male-centric world of British politics, and finally as the first female head of a Western government.

From the tender opening moments to the solemn conclusion of this biopic, Phyllida Lloyd sets out to portray Maggie as a human being through her declining on-screen health which also mirrors the current state of the former Prime Minister. At eighty-six years old, Thatcher is understandably frail with her mental health constantly on the decline; it is an unfortunate prerequisite of aging, but it is not only common to those who have lived polarised lives in the eyes of the British public.

While Lloyd shows Thatcher constantly remembering past events, she never imposes any judgement, opinion or verdict upon anything that is visualized, instead treating it as a nostalgic and deeply sentimental walk-down-memory lane. Maggie remembers her successes and failings, but falls short of actually stating some form verdict on her past choices. Instead of watching a frail Margaret Thatcher dissect the events of her life, the audience is simply left to, uninterestingly, watch as they're recreated.

Aside from the portrayal of the frailty of Thatcher, her career itself is constantly over-shadowed by the more tender moments that Lloyd wishes to portray. The audience is essentially treated to a simple-minded examination of her early political career which extends as far as saying that Margaret Thatcher went into politics because she had ambition, found trouble in the form of institutionalized sexism and eventually established herself due to her husband Denis's influence as a middle-class businessman.

Other major events in Thatcher's career, including her challenge and rise to the leadership of the Conservative Party and the various controversial policies introduced during her reign as Prime Minister (privatisation, unemployment and the closure of twenty-five coal mines in 1985 among others) are simply portrayed as minor events.

Very little of the one hour and forty-five minute running time concerns itself with these events, aside from the occasional use of archive footage depicting public anarchy in the United Kingdom during the testing times of economic hardship during the 1980's, the audience is left to understand little in the way of why Thatcher chose to commit to certain policies except for the fact that she was a stern and incredibly stubborn woman when it came to deciding what and where she would impose upon the British public.

However, despite the major flaws in the form of Lloyd's film wishing to be somewhat of a cinematic memorial to Thatcher rather than a straight-edged biopic examining her tumultuous life, the saving grace comes in the form of Meryl Streep's wonderful performance as the famous leading lady. She is strong, commanding and visceral as Baroness Thatcher, constantly dominating the screen and drawing the audience's attention toward her prestigious manner.

Jim Broadbent as her late husband Denis, Richard E. Grant and Anthony Head among others, are depicted somewhat as 'Spitting Image-esque' caricatures of men who were nothing more than emasculated doormats in both a personal and a political cabinet, who didn't have the guts and gall to stand up to their overbearing leader. While Olivia Colman provides the only true emotional response in the form of Maggie's daughter Carol Thatcher, but these performances cannot save Lloyd's film from its own severe narrative flaws.

Since its inception, Phyllida Lloyd's Margaret Thatcher biopic has courted controversy among the family and various political circles of the former Prime Minister, and it is this controversy which has no doubt had a profound effect on the production of the film. Rather than becoming an intricate and interesting examination of a woman who was, and still is, worshipped and loathed by many members of the general public in Great Britain and Ireland, it instead became a slow inoffensive look at a woman who at eighty-six years old is shown to regret some aspects of her life.

'The Iron Lady' has an enormous amount of untouched potential that another director, producer or artist should be looking to exploit in the immediate future. And whoever should tackle this biopic, should once again call upon the talents of Meryl Streep and Olivia Colman as their performances save this film from being more boring and dreary than the most recent Conservative Party Conference.


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