The history of the first victim of modern artillery and its moving agony, amidst conspiracies and betrayals of the powerful. Life and death of Giovanni De' Medici, a young brave captain in ... See full summary »
The true story of the life of Gavino Ledda, the son of a Sardinian shepherd, and how he managed to escape his harsh, almost barbaric existence by slowly educating himself, despite violent ... See full summary »
A middle-aged, middle-class man named Bruno gets his boss' job . The film examines his sensitivity toward his old boss, who he doesn't want to hurt, toward his employees, and toward his wife and mistress.
Brunetto Del Vita,
Lucia, a single mother, struggles to find the right balance between her teenage daughter, a complicated love story and her career as a geometer. Her professional future is compromised when ... See full summary »
A train travels across Italy toward Rome. On board is a professor who daydreams a conversation with a love that never was, a family of Albanian refugees who switch trains and steal a ticket... See full summary »
Geremia, an aging tailor/money lender, is a repulsive, mean, stingy man who lives alone in his shabby house with his scornful, bedridden mother. He has a morbid, obsessive relationship with... See full summary »
Spectacular scenery, a humanist and heartwarming message, fine acting.
Although my Italian comprehension is terrible, I brought home a tremendous amount of pleasure from this, my first exposure to Mr. Olmi's films. The photog-cinematography was stunning. The awesome Po River was a major feature in the story. Signori Olmi and Buñuel must know each other; the film reminded me of a quote I encountered recently, "The greatest tragedy in mankind's entire history may be the hijacking of morality by religion. -Arthur C Clarke, science fiction writer (1917- )."
While the photography and scenery were wonderful, the film was about people, and the importance of people over religion; the acting was superb and heartwarming. More of a commentary on Italian cinema, than on this film, Olmi actually used *subtitles* to impart the meaning of dialog spoken in language not necessarily understandable by the average Italian; he did not *dub* out the dialect.
11 of 23 people found this review helpful.
Was this review helpful to you?
| Report this