The story of New Zealander Burt Munro (Sir Anthony Hopkins), who spent years rebuilding a 1920 Indian motorcycle, which helped him set the land speed world record at Utah's Bonneville Salt Flats in 1967.
Living in exile, Dr. Hannibal Lecter (Sir Anthony Hopkins) tries to reconnect with now disgraced F.B.I. Agent Clarice Starling (Julianne Moore), and finds himself a target for revenge from a powerful victim (Gary Oldman).
A retired FBI agent with psychological gifts is assigned to help track down "The Tooth Fairy", a mysterious serial killer. Aiding him is imprisoned forensic psychiatrist Dr. Hannibal "The Cannibal" Lecter.
An elderly Margaret Thatcher talks to the imagined presence of her recently deceased husband as she struggles to come to terms with his death while scenes from her past life, from girlhood to British prime minister, intervene.
Richard E. Grant
In 1959, Sir Alfred Hitchcock (Sir Anthony Hopkins) and his wife, Alma Reville (Dame Helen Mirren), are at the top of their creative game as filmmakers amidst disquieting insinuations about it being time to retire. To recapture his youth's artistic daring, Sir Alfred decides his next movie will adapt the lurid horror novel, "Psycho", over everyone's misgivings. Unfortunately, as Sir Alfred self-finances and labors on this movie, Alma finally loses patience with his roving eye and controlling habits with his actresses. When an ambitious friend lures her to collaborate on a work of their own, the resulting marital tension colors Sir Alfred's work, even as the novel's inspiration haunts his dreams.Written by
Kenneth Chisholm (email@example.com)
Shot by a first-time feature film director in thirty-six days. See more »
Dean Martin's recording of "Ain't that a Kick in the Head" plays when Janet Leigh meets the Hitchcocks prior to the start of filming. Filming on Psycho ended on February 1, 1960. The song wasn't recorded until May 10, 1960. See more »
It's lucky it didn't reach the house.
You know, there's gonna be a lot more jobs at that factory in Milwaukee come June. I could put in a word.
You can't leave us, Henry. She needs us both.
Can you stop being a mama's boy for one second? I'm not trying to hurt you, but Jesus, you gotta live your own life sometime. That woman can take care of her own god...
[Ed hits Henry with a shovel]
Good evening. Well, brother has been killing brother since Cain and Abel, yet even I didn't ...
[...] See more »
After the end credits, there is a brief shot of Anthony Hopkins as Hitchcock standing in silhouette in a large empty movie theatre before walking out of the shot. This emulates Hitchcock's trademark cameo appearance in most of his films. See more »
Hollywood voyeurism. If this were about a nobody it would raise hardly any interest as a plot, unless it were told with more interest and intrigue. I'm glad it is limited to one part of Hitch's career but at the same time the movie doesn't take advantage of the collapsed time. Hopkins' makeup is unconvincing and distracting! Personally, I wished more had been revealed of composer Bernard Hermann's part in Hitchcock's success.
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