Nanny McPhee arrives to help a harried young mother who is trying to run the family farm while her husband is away at war, though she uses her magic to teach the woman's children and their two spoiled cousins five new lessons.
Wilbur the pig is scared of the end of the season, because he knows that come that time, he will end up on the dinner table. He hatches a plan with Charlotte, a spider that lives in his pen, to ensure that this will never happen.
Mia Thermopolis has just found out that she is the heir apparent to the throne of Genovia. With her friends Lilly and Michael Moscovitz in tow, she tries to navigate through the rest of her sixteenth year.
Mary lives with her evil stepmom/sisters and slaves for them. At the high school masquerade ball, she gets to dance with her pop idol, Joey. Running home before midnight, she drops her Zune. Joey tries to find the girl who fits the Zune.
Identical twins Annie and Hallie, separated at birth and each raised by one of their biological parents, later discover each other for the first time at summer camp and make a plan to bring their wayward parents back together.
St Trinians proudly continues to represent the unacceptable face of British education. When the new Minister of Education announces he will personally sort the place out he doesn't realise either the enormity of the task or that the headmistress is an old flame. The school is anyway threatened with closure by their bank; with the staff clearly a waste of space the girls realise the responsibility to save the day falls on them. Perhaps ripping off the girl with the pearl earring (a painting by Johannes Vermeer) might be the way out?Written by
Jodie Whittaker and Lena Headey went to the same high school, Shelley High School and Sixth Form Centre. See more »
When the first years are styling Annabelle, two of them are shown using brushes. But, when they show Annabelle's face, the arms styling her clearly belong to larger/taller people. See more »
[the St. Trinian's girls surround Annabelle, who is strapped to a chair]
You've had this coming since the day you arrived, Fritton.
What are you going to do to me?
[holds up an eyelash crimper and smiles]
Give you a makeover, silly!
See more »
In the end credits, there is a credit which reads "MISS EVERETT'S COSTUMES BY..." See more »
St. Trinian's is probably never going to top anyone's list of greatest films of the 21st Century but there's no denying it is funny. It could so easily have been terrible, but it isn't, thanks to a witty and clever script that pays tribute to Ronald Searle's original cartoons as well as to the classic "Belles of St Trinian's" Writers Piers Ashworth and Nick Moorcroft have successfully reinvented St. Trinian's for the 21st century, avoiding the obvious pitfalls the school could so easily have been turned into a combination brothel and crack den instead creating a world in which the girls can run wild. A world in which it seems no-one bats an eyelid at ten year old girls playing with explosives, but God forbid they should ever take up smoking.
Rupert Everett is in fine form as the headmistress Camilla Frinton though admittedly he's no Alistair Simm (then again who is?) and Colin Firth is a more than capable straight man, quite happy to take pot shots at his own career. More surprisingly Russell Brand makes a very effective Flash Harry, While distinctly different to the original in both appearance and manner to George Cole, there his something indefinable about his performance, he could almost be the grandson of the original Flash.
However where this film really succeeds is in the girls themselves. Talulah Riley is the heart and sole of the film as Annabelle Fritton, slowly blossoming from shy awkward daddy's girl into red-blooded St Trinian, and Gemma Arterton as head girl Kelly commands the screen in every scene she's in. Between them Riley and Arterton steal the move from under the noses of the more experienced Everett & Firth.
But it's not just them, a combination of astute casting and good writing ensures that all the students come across as characters in their own right from twin terrors Cloe and Holly Mackie through to the 'Posh Totty', brilliantly underplayed by Tamsin Egerton, Amara Karan and Antonia Bernath.
In years to come this film will be remembered not for the sight of Rupert Everett in drag but for giving screen time to so many of the next generation of starlets.
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