A 19th-century drama about a man whose heart was replaced with a clock when he was born. The situation dictates that he should avoid feeling strong emotions -- love, most of all -- but he just can't keep his feelings under wraps.
Grand Corps Malade
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Paris, 1910. Emile, a shy movie projectionist, and Raoul, a colorful inventor, find themselves embarked on the hunt for a monster terrorizing citizens. They join forces with Lucille, the big-hearted star of the Rare Bird cabaret, an eccentric scientist and his irascible monkey to save the monster, who turns out to be an over-sized but harmless flea, from the city's ruthlessly ambitious police chief.Written by
The Film Catalogue
When Lucille tries to disguise Fracoeur's head with several hats and wigs in her dressing room, the one that looks like a Dracula hairdo resembles the hair style that M or Matthieu Chedid -the voice and singer for Francoeur- uses in his real on-stage persona. See more »
Although the story is set in 1910, the Mayor of Paris is featured. The office of Mayor of Paris was suppressed in 1871, after the 'Commune', and was not restored until 1977. See more »
I still like the backgrounds, the portraiture, and some of the music
Having seen the preview and admired the cityscapes, I was disappointed to see that here in Israel the movie was strictly a matinée feature and dubbed into Hebrew. No showings for us folks who work during the day and would prefer subtitled French. I picked up a pirated copy, which turned out to be dubbed into English. I found the opening tribute to early French cinema a little tiresome, but I have no problem being patient while a well-deserved tribute is made. Then as the archetypal Parisian characters were introduced, I found the portraiture amusing. There was a long wait before the title character appeared and before the first song, and I found the first song less interesting than the later ones (although that may be intentional). The dance movements were nicely animated although a little sexy for a children's movie; overall I think the movie seems to have been conceived under the philosophy of "something for everyone" rather than "everything for kids." After a while, the stereotyped characterizations wore thin and there seemed to be less compensation for those of us missing 3D. I actually fell asleep during the big chase sequence near the end, which I suppose was some kind of a roller-coaster ride for the 3D audience. By the time it was over, the movie had evidently achieved everything it wanted although not always a lot of it at the same time.
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