Christoffer and Maja's trip to Prague to bring back Chistoffer's deceased father evolves into the story of a break-up. In the wake of the events that follow, secrets gradually emerge which threaten to destroy their marriage.
A gang of 4 Danish criminals are ordered by Færingen to steal a bag from a safe. When they see DKK4,000,000 in the bag, they keep it for themselves and head for Spain. They end up in a ruin of an old restaurant on Funen and renovate it.
Jacob is a young man used to getting everything he wants. For several years, he has been living in a happy homosexual partnership with Jørgen, and one night Jacob decides to pop the big ... See full summary »
2 Danish friends are tired of their employer and open their own butcher shop. An electrician accidentally dies in the freezer and he's sold as marinated chicken and business picks up. What happens when they run out of "chicken"?
Anders Thomas Jensen
Nikolaj Lie Kaas,
There is a thin line between money and loyalty. Thomas Skepphult runs an investment company, and is arrested for the murder of his business partner when his fingerprint is found on the ... See full summary »
During Nazi occupation, red-headed Bent Faurschou-Hviid ("Flame") and Jørgen Haagen Schmith ("Citron"), assassins in the Danish resistance, take orders from Winther, who's in direct contact with Allied leaders. One shoots, the other drives. Until 1944, they kill only Danes; then Winther gives orders to kill Germans. When a target tells Bent that Winther's using them to settle private scores, doubt sets in, complicated by Bent's relationship with the mysterious Kitty Selmer, who may be a double agent. Also, someone in their circle is a traitor. Can Bent and Jørgen kill an über-target, evade capture, and survive the war? And is this heroism, naiveté, or mere hatred?Written by
The movie takes its title from the nicknames of the two main characters. Flame refers to the color of Bent Faurschou-Hviid's red hair, after an attempt to dye it blond. Citron (Danish for "lemon") got the name because, while working at the Citroën factories in Copenhagen, he sabotaged German cars and trucks. See more »
Citron picks up a British Sten SMG in the basement scene and fires it. A few seconds later he has a wooden stocked sub machine gun instead (the Sten had a steel framed stock) which looks like a Finnish Suomi SMG. See more »
You are a Partisan. That's very interesting. A soldier without a front. Are you a good soldier? Are you prepared to pay the price?
What do you think? Your life. You see, there can only be three reasons for fighting in a war. Firstly, career opportunity. It's widespread, but does not produce good soldiers. You have a fear of dying and only think of peace. Secondly, ideology. Love of the mother country. That is much more intriguing, but the dreamer breaks down. He doesn't have the ...
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I am very impressed, and pleasantly surprised. I do not know any of the other work of the director, but I will have to consider anything else I see his name attached to. My opinion of what we Danes manage to put together in the medium of film is hardly a secret... I tend to find myself underwhelmed. Before tonight, I only really considered two such recent features truly great(the more notable of those, in my view, being Murk), and, well... as cliché as it is, that number is now three. The plot is magnificent, and the twists so marvelous and unexpected. There is maybe one thread that I found unsatisfying, perhaps especially because of how much attention was paid to it, but that's it. The acting is excellent... the one bad performance was had by a kid, and it didn't need to be better than it was. Lindhardt and Mikkelsen haven't a single weak moment between them, and Mygind... thumbs up. The cinematography is spectacular, though I did find the, all in all relatively few, zooms a bit distracting, save for one or two(these may be a Scandinavian thing, something similar appeared in Show Me Love). The editing is effective... the action(do note that this is not a straight-on piece within that genre) works, the drama likewise, and the only real criticism I can come with in this area is that there are a handful of places where things could be clearer. The writing there is infinitely little to complain about, and a long line of positives about, including the psychology, the complexity, the characters(the consistency of which is almost entirely flawless, and the only real problem within that is really how at least one major character disappears from the movie) and the incredibly accurate depiction of the time, the environment, the types of people. This is remarkably engaging. There is a little sexuality, and some language, as well as a measure of violence, but I wouldn't call any of it gratuitous. You do need a basic knowledge about the period, the place and the people, before watching this, but hey, nowhere near as much is required as for Der Untergang/Downfall. I don't know if this is entirely historically accurate, but little, heck, hardly any, is Hollywoodized, and it's undeniably entertaining and strong. I recommend this to any fan of drama, and anyone who wants a visual representation of the situation this revolves around. 8/10
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