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Doubt (2008)

PG-13 | | Drama, Mystery | 25 December 2008 (USA)
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A Catholic school principal questions a priest's ambiguous relationship with a troubled young student.

Writers:

John Patrick Shanley (screenplay), John Patrick Shanley (play)
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Popularity
3,473 ( 650)
Nominated for 5 Oscars. Another 26 wins & 90 nominations. See more awards »

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Cast

Cast overview, first billed only:
Meryl Streep ... Sister Aloysius Beauvier
Philip Seymour Hoffman ... Father Brendan Flynn
Amy Adams ... Sister James
Viola Davis ... Mrs. Miller
Alice Drummond ... Sister Veronica
Audrie Neenan ... Sister Raymond
Susan Blommaert ... Mrs. Carson
Carrie Preston ... Christine Hurley
John Costelloe ... Warren Hurley
Lloyd Clay Brown ... Jimmy Hurley
Joseph Foster Joseph Foster ... Donald Miller (as Joseph Foster II)
Mike Roukis ... William London
Haklar Dezso Haklar Dezso ... Zither Player
Frank Shanley Frank Shanley ... Kevin
Robert Ridgell Robert Ridgell ... Organist
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Storyline

It's 1964, St. Nicholas in the Bronx. A charismatic priest, Father Flynn, is trying to upend the school's strict customs, which have long been fiercely guarded by Sister Aloysius Beauvier, the iron-gloved Principal who believes in the power of fear-based discipline. The winds of political change are sweeping through the community, and indeed, the school has just accepted its first black student, Donald Miller. But when Sister James, a hopeful innocent, shares with Sister Aloysius her guilt-inducing suspicion that Father Flynn is paying too much personal attention to Donald, Sister Aloysius sets off on a personal crusade to unearth the truth and to expunge Flynn from the school. Now, without a shard of proof besides her moral certainty, Sister Aloysius locks into a battle of wills with Father Flynn which threatens to tear apart the community with irrevocable consequences. Written by Miramax Films

Plot Summary | Plot Synopsis

Plot Keywords:

priest | student | nun | boy | catholic | See All (251) »

Taglines:

There is no evidence. There are no witnesses. But for one, there is no doubt.

Genres:

Drama | Mystery

Motion Picture Rating (MPAA)

Rated PG-13 for thematic material | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Facebook | Official site

Country:

USA

Language:

English

Release Date:

25 December 2008 (USA) See more »

Also Known As:

La duda See more »

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Box Office

Budget:

$20,000,000 (estimated)

Opening Weekend USA:

$507,226, 14 December 2008

Gross USA:

$33,446,470

Cumulative Worldwide Gross:

$51,018,161
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

SDDS | Dolby Digital | DTS

Color:

Color

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Jimmy Hurley is based on John Patrick Shanley. Everything that he does at the beginning of the movie are the same things Shanley did as a boy. See more »

Goofs

(at around 3 mins) The choir sings at the beginning of the movie. The film shows an outdoor scene, then (while choir is still singing the same song) an empty choir loft, then the boys singing in the choir loft. See more »

Quotes

[first lines]
Christine Hurley: Jimmy? Come on! You're serving today.
See more »

Connections

Referenced in Ebert Presents: At the Movies: Episode #1.25 (2011) See more »

Soundtracks

It Came Upon a Midnight Clear
Written by Edmund Hamilton Sears (uncredited) and Richard Storrs Willis (uncredited)
[Incorrectly credited as written by Richard John Cottle]
Courtesy of APM Music
See more »

Frequently Asked Questions

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User Reviews

 
American Film's heavyweight acting champs square off.
29 December 2008 | by st-shotSee all my reviews

There are no better actors working in American film today than Meryl Streep and Phillip Seymour Hoffman. Streep has been on top for some time now and Hoffman has an unmatched resume of fine performances over the past five years. Pairing off as adversaries in John Patrick Shanley's stage play brought to screen they parry and prod throughout with each landing hay makers along the way.

Change is in the wind in 1964 for both the world and the Catholic Church (Second Vatican Council) as the country moves from conservatism to liberal thought. Sister Aloysius (Streep)is the principal of an inner city Catholic school who rules with an iron fist. Lamenting the loss of tradition (she thinks Frosty the Snowman is a song about worshiping false idols) she crosses swords with the popular and laid back Father Flynn who takes a more liberal view seeing the need to keep up with the times. His progressive ways gnaw at Sister Aloysius and she is soon suspecting Father Flynn of inappropriate relationship with altar boys even though she is without concrete proof.

The scenes between Streep and Hoffman are riveting from start to finish. Both attempt at first to be civil with each other but eventually they end up at each others throat bullying and threatening. It is a titanic emotional struggle that makes for a gripping drama flawlessly acted. I'm no big fan of Streep, finding the adopted accents she employs in some of her films false and hollow, but as the self righteous Nunzilla her pugnacious style and inflection rates with her Sophie's Choice performance. Hoffman has his work cut out for him to keep up with the formidable legend but he holds his own with equal footing.

In supporting roles Amy Adams is very effective as the unintended go between Sister James. Seized with doubt she like the audience mirrors our own misgivings as conflicted objective observers. Viola Davis as a troubled boy's mother has one lengthy powerful and painful scene that begins to tie loose ends together but offers no easy solution.

Writer director John Patrick Shanley does an admirable job in keeping the plot nebulous with ambivalent scenes and peripheral characters that purposefully enhance the suspense. Scenes are tightly edited with sparse but effective dialog giving the film its steady pace. Other than some jarring oblique angle shots the camera compositions and set design provide a somber ambiance for the drama and an arena for the perfectly measured performances by two masters of the craft in this fight to the finish that remains absorbing from beginning to end.


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