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Madonna: The Confessions Tour Live from London (2006)

The Confessions Tour is the second live album by American singer and songwriter Madonna. It was released on January 26, 2007 by Warner Bros. Records. Directed by Jonas Åkerlund, the album ... See full summary »
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Cast

Cast overview, first billed only:
Madonna ... Herself
Stuart Price ... Himself - Keyboardist
Steve Sidelnyk Steve Sidelnyk ... Himself - Drummer
Monte Pittman Monte Pittman ... Himself - Guitar Player
Marcus Brown Marcus Brown ... Himself - Keyboardist
Donna DeLory Donna DeLory ... Herself - Backing Vocals (as Donna De Lory)
Nicki Richards Nicki Richards ... Herself - Backing Vocals
Isaac Sinwani Isaac Sinwani ... Himself - Vocals
Addie Yungmee-Schilling-George Addie Yungmee-Schilling-George ... Herself - Dance Captain
Jason Young Jason Young ... Himself - Dance Captain
Charmaine Jordan Charmaine Jordan ... Herself - Dancer (as Charmaine 'Charm' Jordan)
Daniel 'Cloud' Campos ... Himself - Dancer
Mowii Mowii ... Himself - Dancer (as Leroy 'Hypnosis' Barnes Jr.)
Levi Meeuwenberg ... Himself - Traceur
Mihran Kirakosian Mihran Kirakosian ... Himself - Dancer
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Storyline

The Confessions Tour is the second live album by American singer and songwriter Madonna. It was released on January 26, 2007 by Warner Bros. Records. Directed by Jonas Åkerlund, the album chronicles Madonna's 2006 Confessions Tour. It was recorded at Wembley Arena during the London dates of the tour, and was released in both CD and DVD format. The DVD contains the entire concert and the CD includes thirteen live songs only. The album became the first release from Semtex Films, a production company founded by Madonna in 2006. Written by allan-medeiros26

Plot Summary | Add Synopsis


Certificate:

Not Rated
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Details

Country:

USA

Language:

English

Release Date:

22 November 2006 (USA) See more »

Also Known As:

Madonna: The Confessions Tour Live from London See more »

Filming Locations:

London, England, UK See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

DTS (Dolby 5.1)

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

The "Live to Tell" performance contains an uncredited sample from the song "Tears" by Giorgio Moroder, taken from his album "Son of My Father" released in 1972. See more »

Connections

Referenced in Jeopardy!: Episode #26.54 (2009) See more »

Soundtracks

Like a Virgin
Written by Tom Kelly and Billy Steinberg
Performed by Madonna
See more »

Frequently Asked Questions

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User Reviews

 
There are concerts - and there are Madonna's performances
22 September 2009 | by peterkowalskiSee all my reviews

Madonna has been rocking the boat for over 20 years, and with that comes a lot of experience -obviously- and a lot of knowledge. She was never the one to think about yesterday, au contraire, she seemed to know what is going to be popular tomorrow. She bravely takes all the new trends, technologies, and incorporates them into her own acts. Her world tours have never been 'average'. When Madonna performs, she gives 120% - everything is bigger, better, theatrical and meaningful. She takes inspirations from East, West, and makes then unique. Everything is given a deeper meaning, and The Confessions Tour is not different. From the very beginning, you find yourself sitting on the edge of the chair. She starts with bang, then she does brave circus poses on a horse high up in the sky, she does everything she can to entertain you. She remakes her own songs, giving them a modern feel. She sings on a disco cross, she almost comes in the middle of the stage, and with her amazing dance crew that know no dimensions of fear, the show is absolutely more than you bargained for. It's a spectacle, an audio-visual orgasm that cannot be put in words. Lucky are the ones who actually experienced seeing Madonna on stage. Pushing fifty, she is still in an incredible form. Recent Sticky and Sweet Tour is even more ground-breaking, which proves nothing else, that Madonna was, is, and ever be the one and the only queen of pop.


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