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The City of Your Final Destination (2009)

PG-13 | | Drama, Romance | 24 June 2010 (Greece)
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Twenty-eight-year-old Kansas University doctoral student Omar Razaghi (Omar Metwally) wins a grant to write a biography of Latin American writer Jules Gund. Omar must get through to three ... See full summary »

Director:

James Ivory

Writers:

Ruth Prawer Jhabvala (screenplay), Peter Cameron (novel)
1 win & 2 nominations. See more awards »

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Cast

Cast overview, first billed only:
Nicholas Blandullo Nicholas Blandullo ... Young Adam
Sofía Viruboff Sofía Viruboff ... Adam's Mother
James Martin James Martin ... Postman
Omar Metwally ... Omar Razaghi
Alexandra Maria Lara ... Deirdre Rothemund
Susana Salerno Susana Salerno ... Helpful Woman at the Bus Depot
César Bordón César Bordón ... Helpful Man at the Bus Depot
Diego Velazquez ... Helpful Little Boy at the Bus Depot
Rossana Gabbiano Rossana Gabbiano ... Helpful Woman at the Bus Depot
Julieta Vallina Julieta Vallina ... Schoolbus Lady
Ambar Mallman ... Portia Gund
Charlotte Gainsbourg ... Arden Langdon
Laura Linney ... Caroline
Norma Aleandro ... Alma
Hector Fonseca Hector Fonseca ... Old Gaucho
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Storyline

Twenty-eight-year-old Kansas University doctoral student Omar Razaghi (Omar Metwally) wins a grant to write a biography of Latin American writer Jules Gund. Omar must get through to three people who were close to Gund; his brother, widow, and younger mistress, so he can get authorization to write the biography. Written by Marisa_Gabriella, edited by Krystal Frauendienst

Plot Summary | Add Synopsis

Genres:

Drama | Romance

Motion Picture Rating (MPAA)

Rated PG-13 for a brief sexual situation with partial nudity | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English | Spanish | French

Release Date:

24 June 2010 (Greece) See more »

Also Known As:

A Cidade do Teu Destino Final See more »

Filming Locations:

Punta Indio, Argentina See more »

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Box Office

Budget:

$8,300,000 (estimated)

Opening Weekend USA:

$24,401, 18 April 2010

Gross USA:

$493,296

Cumulative Worldwide Gross:

$1,356,253
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

Last produced screenplay of two-time Academy Award winner Ruth Prawer Jhabvala (1927-2013). See more »

Goofs

When Omar & Adam are conversing at the table the salt shaker keeps moving. Sometimes it's a quarter full and sometimes empty. See more »

Quotes

[first lines]
Young Adam: [calling out] Victor. Victor! Victor, come on!
[slips in the mud]
Young Adam: Ooph! Bad dog.
See more »

Connections

Features The Deceivers (1988) See more »

Soundtracks

Venetian Medley
Composed and Performed by Anthony Hopkins
See more »

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User Reviews

 
Elegant and graceful transposition, with some limits
10 October 2010 | by yris2002See all my reviews

James Ivory proves to be a guarantee of grace when trying to render the complexity of those novels where the evocative power of the word must be translated into the visual form. The result, in this movie, like in his previous adaptations of great literary classics, is an elegant and graceful transposition of the novel by Peter Cameron. I read it some years ago, and watching the movie allowed me to recall it, not only from the point of view of the plot (which was not totally respected, indeed), but what gradually emerged in my mind was the subtle emotional tension running through it from the beginning. It is a novel full of drama, passion, inner conflicts, emerging gradually, almost softly, through rapid but effective dialogues, where each word is a powerful means, and as the movie proves adherence to this pattern, we gradually get into the emotional world of this strange family, and feel a strong involvement. Ivory's style remains the same as usual: elegant photography, careful screenplay, care for the single detail, little but significant musical underlining. The only limit is the hasty final movement towards a happy ending, which gives little justice to the novel, mainly to the character of Omar, who eventually find his own path in a too hasty way. And also the complex character of Caroline is not fully respected in the way the real motivations behind her first choice were cut off from the movie, thus depriving her of some more depth, evident in the novel. Talented acting, mainly from female cast (but Anthony Hopkins proves always impeccable) supports the overall high quality of the movie: everyone is so fit for his/her role, that having read the novel, I think no better cast could have been chosen. A refined movie, which however urges to go back to the novel in order to clear up some unconvincing points.


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