A corporation hires a professional assassin to pose as its trade show representative who must organize the wedding of a Middle Eastern pop star, which will allow him the opportunity to kill a Middle Eastern politician.
Martin Blank is a professional assassin. He is sent on a mission to a small Detroit suburb, Grosse Pointe, and, by coincidence, his ten-year high school reunion party is taking place there at the same time.
In an attempt to secure a sponsor, an unlikely group of Cuban refugees become a "family" as the U.S. Immigration and Naturalization Service gives families priority over others. In the ... See full summary »
A political satire set in Turaqistan, a country occupied by an American private corporation run by a former US Vice President. In an effort to monopolize the opportunities the war-torn nation offers, the corporation's CEO hires a troubled hit man, to kill a Middle East oil minister. Now, struggling with his own growing demons, the assassin must pose as the corporation's Trade Show Producer in order to pull off this latest hit, while maintaining his cover by organizing the high-profile wedding of Yonica Babyyeah, an outrageous Middle Eastern pop star, and keeping a sexy left wing reporter in check.Written by
The cast considered this movie to an unofficial sequel to Grosse Pointe Blank (1997). See more »
(at around 1 min) The American Flag hanging behind Joan Cusack when she is talking is hanging on the wrong side. See more »
We're in a constant state of war, Hauser. We kill our brothers, complete strangers, the guilty and the innocent. We are at war with our own hearts. Love is a cease-fire that's destined to fail. But, as I said, it does get us into tricky situations... sometimes the back of a garbage truck.
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BeTolerant.com is listed twice in the thanks section of the credits, despite this resulting in an odd number of entries and causing the last entry to have to go against the rest of the layout (centered, vs two-column) to keep things even. See more »
The satire is in the background, but the main quality of War, Inc. is to suppose you are in this particular mood. The problem is: how do you deal with big jokes and serious matters if you're going to skip plain satire? Ay, there's the rub. John Cusack plays a high-flying hit-man with a bit of a conscience ready to surface again after years of sealed-jaws dedication. Then satire in the background creates big comedy situations and then back again to our hero whose background we are told little by little until we can foresee how it will all be brought together.
On the whole it's pretty funny, the acting is great, but you don't feel there's a real big movie, only an independent flick struggling with settings - well, working its guts off to get the most of each set to be honest, pleased with its premise but lacking a real steady stance. As a comedy it would have been much better with the hero as a real cynical guy who happens to have a physical malfunction. As a thriller/actioneer it would need to build a more intricate script.
So it's one of those movies who don't really know their genre, what jokes they are playing against what characterization. And the pathos within once again proves to be a complacent device for writers and producers-actors looking for a bit of ready-to-wear substance.
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