Sparks fly when spirited Elizabeth Bennet meets single, rich, and proud Mr. Darcy. But Mr. Darcy reluctantly finds himself falling in love with a woman beneath his class. Can each overcome their own pride and prejudice?
The retelling of France's iconic but ill-fated queen, Marie Antoinette. From her betrothal and marriage to Louis XVI at 15 to her reign as queen at 19 and to the end of her reign as queen, and ultimately the fall of Versailles.
Georgiana Spencer became Duchess of Devonshire on her marriage to the Duke in 1774, at the height of the Georgian period, a period of fashion, decadence, and political change. Spirited and adored by the public at large she quickly found her marriage to be a disappointment, defined by her duty to produce a male heir and the Duke's philandering and callous indifference to her. She befriends Lady Bess but finds she is once again betrayed by her husband who wields his power with the three eventually living uncomfortably together. Against this background, and with the pressures of an unfaithful husband, strict social pressures and constant public scrutiny, Georgiana falls passionately in love with Charles Grey, a rising young Whig politician. However, despite his ongoing liaison with Lady Bess, the Duke refuses to allow her to continue the affair and threatens to take her children from her.Written by
In the last scene with the kids running around the fountain. Fountains have been created for hundreds of years running on gravity, not electricity. For example, the Trevi fountain in Rome was completed in 1762, and the Emperor Fountain at Chatsworth was completed by Joseph Paxton in 1844. See more »
Good people of Westminster! The world is on the brink of disaster or salvation. From France to America, men and women are struggling to free themselves, to find meaning in their existence. Change is upon us!
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Paramount Vantage preferred a PG-13 version for the United States and in order to get that rating some cuts and alternate shots were used. See more »
The locations, specially Bath are the most cinematic aspect of this opportunistic tale. The Duchess, it seems, was a distant relative of Lady Diana Spencer's and there is a certain symmetry in their stories but Keira Knightly projects only an "actressy" air. She was superb in "Pride and Prejudice" but here she just simply poses and stares. Ralph Finnes's awful Duke is much more believable. The extra marital doomed love story between the Duchess and Dominic Cooper left me completely cold and perhaps that's were the problem resides. Their relationship, their "love" should have consumed us for the sketchy tale to work, but it didn't. Still, the locations, I repeat, are breathtaking and "The Duchess" can be seen if you don't expect to be other than an spectator.
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