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The Island (2006)

Ostrov (original title)
PG-13 | | Drama | 23 November 2006 (Russia)
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0:44 | Trailer
Somewhere in Northern Russia in a small Russian Orthodox monastery lives an unusual man whose bizarre conduct confuses his fellow monks, while others who visit the island believe that the man has the power to heal, exorcise demons and foretell the future.

Director:

Pavel Lungin

Writer:

Dmitriy Sobolev
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15 wins & 13 nominations. See more awards »

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Cast

Cast overview, first billed only:
Pyotr Mamonov ... Anatoly
Viktor Sukhorukov ... Father Filaret
Dmitriy Dyuzhev ... Father Iov
Yuriy Kuznetsov ... Tikhon
Viktoriya Isakova ... Nastya
Nina Usatova ... Widow
Yana Esipovich Yana Esipovich ... Girl
Olga Demidova Olga Demidova ... Woman with Child
Timofey Tribuntsev ... Young Anatoly
Aleksey Zelensky Aleksey Zelensky ... Young Tikhon
Grisha Stepunov Grisha Stepunov ... Child
Sergey Burunov ... Adjutant
B. Aleksandrov B. Aleksandrov ... German
Boris Pantyukhin Boris Pantyukhin ... German (as B. Pantyukhin)
S. Gorozhanin S. Gorozhanin ... German
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Storyline

Somewhere in Northern Russia in a small Russian Orthodox monastery lives an unusual man whose bizarre conduct confuses his fellow monks, while others who visit the island believe that the man has the power to heal, exorcise demons and foretell the future.

Plot Summary | Add Synopsis

Genres:

Drama

Certificate:

PG-13 | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official site [Russia]

Country:

Russia

Language:

Russian | German

Release Date:

23 November 2006 (Russia) See more »

Also Known As:

A sziget See more »

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Box Office

Cumulative Worldwide Gross:

$3,557,508
See more on IMDbPro »

Company Credits

Production Co:

Pavel Lungin Studio See more »
Show more on IMDbPro »

Technical Specs

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

This movie is the closing film of 2006 Venice Film Festival. See more »

Quotes

[first lines]
Father Anatoli: Lord, Jesus Christ, Son of God, have mercy on me, a sinner. Lord, Jesus Christ, Son of God, have mercy on me, a sinner. Lord, Jesus Christ, Son of God, have mercy on me, a sinner. Lord, Jesus Christ, Son of God, have mercy on me, a sinner. Lord, Jesus Christ, Son of God, have mercy on me, a sinner. Lord, Jesus Christ, Son of God, have mercy on me, a sinner. Lord Jesus Christ, Son of God...
See more »

Connections

Referenced in Evening Urgant: Dmitriy Dyuzhev (2017) See more »

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User Reviews

 
Rather an Orthodox Christian testimony... but also a film accessible to anyone, regardless religious background
29 May 2007 | by realx-1See all my reviews

Some people saw this film as a religious propaganda. I don't think it is so - "Ostrov" it's rather a testimony, for those interested, about the Russian soul, which is deeply religious and rooted in Orthodox Christianity. I think the main target of the movie were the Russian themselves, or maybe, by extension, those nations who are traditionally Orthodox Christian, but forgot their roots.

The movie tries to bring into attention the essence of Orthodox Christian belief - the reunification of man with God, which is done through repentance and unceased prayer, in humbleness and ascetic struggle. According to the same beliefs, God is the one who works this union in co-operation with the man.

The main character, Fr. Anatoli, was inspired from the lives of some Russian "fools for Christ" - men who tried to hide their sanctity and keep their humbleness behind a mask of apparent insanity - especially from the life of St. Theophile the Fool for Christ.

I think the success gained by this movie in Russia and beyond is determined by the inner identification of the viewer with the concepts revealed in it.

Nevertheless, beside it's religious significance, "Ostrov" has a brilliant image directing, with superb shots of the remote locations, and a very good and balanced script - even a surprising final turnaround, for those who may have felt the need for it. You may think of it, in a way, as a sort of "fictional documentary".

As a final note, I think the movie requires at least a second viewing, both for deepening and re-enjoying it.


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