Studio One in Hollywood (1948–1958)
6.5/10
31
3 user 1 critic
In a totalitarian future society, Winston Smith, whose daily work is re-writing history, tries to rebel by falling in love.

Director:

Paul Nickell

Writers:

George Orwell (novel), William Templeton (written for television by)
Reviews

Photos

Add Image Add an image

Do you have any images for this title?

Edit

Cast

Episode credited cast:
Eddie Albert ... Winston Smith
Lorne Greene ... Minister of Truth O'Brien
Norma Crane ... Julia
Noel Leslie Noel Leslie ... Charrington
Truman Smith Truman Smith ... Parsons
Robert Culp ... Male Telescreen Voice (as Robert M. Culp)
Midge Donaldson Midge Donaldson ... Female Telescreen Voice
Victor Thorley Victor Thorley ... Cassandra
Peter Ostroff Peter Ostroff ... Syme (as Peter A. Ostroff)
Janice Mars Janice Mars ... Singer
Susan Hallaran Susan Hallaran ... Selina
Fred J. Scollay ... Man in Cell (as Fred Scollay)
Vincent Van Lynn Vincent Van Lynn ... Prison Officer (as Vincent Vanlynn)
Don Hollenbeck Don Hollenbeck ... Narrator
Rest of cast listed alphabetically:
Paul Brinson Paul Brinson ... Announcer (voice)
Edit

Storyline

In a totalitarian future society, Winston Smith, whose daily work is re-writing history, tries to rebel by falling in love.

Plot Summary | Add Synopsis

Genres:

Drama

Edit

Details

Language:

English

Release Date:

21 September 1953 (USA) See more »

Filming Locations:

New York City, New York, USA

Company Credits

Production Co:

CBS Television Network See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono

Aspect Ratio:

1.33 : 1
See full technical specs »
Edit

Did You Know?

Connections

Version of Four Episodes from 1984 (1985) See more »

Soundtracks

Introduction from 'Le Coq d'Or'
Music by Nikolai Rimsky-Korsakov
See more »

Frequently Asked Questions

This FAQ is empty. Add the first question.

User Reviews

 
Pretty Good Adaptation of Orwell's Classic Dystopia
18 February 2017 | by richardchattenSee all my reviews

As a huge admirer of Orwell's original novel I was pleasantly surprised that although inevitably not in the same league as Nigel Kneale's BBC adaptation broadcast the following year, how much of the basic storyline - and more importantly the mood - adaptor William Templeton's distillation managed to get into just 50 minutes (minus commercials) broadcast live on a TV budget.

A modern viewer will approach this version with scepticism, knowing that it was made at the height of anti-Red hysteria in the United States and of the blacklist. An opening narration underlined by Shostakovich's Seventh Symphony has been added to Orwell's story to convey Soviet-style totalitarianism and stresses that "What happens to the people in this story might happen to us. Might happen to you. If we should ever relax in our fight for freedom, if we should allow any individuals or any group of individuals to reduce our freedom of thought, our freedom of speech, our freedom of religion, then what happens to the people in this story will happen to us." However, the irony implicit in this exhortation forcefully delivered by CBS newscaster Don Hollenbeck in the context of the McCarthyite America of 1953 is probably deliberate; and Hollenbeck himself was hounded into committing suicide by gassing himself the following year by a relentless campaign of press harassment headed by a Hearst columnist named - I kid you not! - O'Brian. (Hollenbeck is played by Ray Wise in the 2005 film 'Good Night, and Good Luck').

The production looks suitably expressionistic (the bizarre, vaguely abstract portrait of Big Brother somewhat resembling Dr. Mabuse), and although big, strapping Eddie Albert is as miscast as the undernourished, downtrodden Winston Smith as Edmond O'Brien was in the film version three years later, like O'Brien he gives his usual excellent performance. Fans of 'Bonzana' will be surprised to see Lorne Greene as an incisive O'Brien. Norma Crane (little known to film viewers, but memorable as Ellie Martin in 'Tea and Sympathy' and Golde in 'Fiddler on the Roof') is a sassy Julia who I personally found far sexier in her regulation-issue dungarees & blouse and leather greatcoat than the fifties party frock she changes into during her trysts with Winston (in this version of the future it's mainly the women rather than the men who wear ties), and the moment when she undoes and discards her Anti-Sex League sash carries quite an erotic charge.


2 of 3 people found this review helpful.  Was this review helpful to you? | Report this
Review this title | See all 3 user reviews »

Contribute to This Page

Free Movies and TV Shows You Can Watch Now

On IMDb TV, you can catch Hollywood hits and popular TV series at no cost. Select any poster below to play the movie, totally free!

Browse free movies and TV series

Stream Trending TV Series With Prime Video

Explore popular and recently added TV series available to stream now with Prime Video.

Start your free trial



Recently Viewed