A retired FBI agent with psychological gifts is assigned to help track down "The Tooth Fairy", a mysterious serial killer. Aiding him is imprisoned forensic psychiatrist Dr. Hannibal "The Cannibal" Lecter.
It's 1949 Los Angeles, the city is run by gangsters and a malicious mobster, Mickey Cohen. Determined to end the corruption, John O'Mara assembles a team of cops, ready to take down the ruthless leader and restore peace to the city.
Wealthy, brilliant, and meticulous Ted Crawford, a structural engineer in Los Angeles, shoots his wife Jennifer and entraps her lover, Lieutenant Robert "Rob" Nunally. He signs a confession. At the arraignment, he asserts his rights to represent himself and asks the court to move immediately to trial. The prosecutor is Willy Beachum, a hotshot who's soon to join a fancy civil-law firm, told by everyone it's an open and shut case. Crawford sees Beachum's weakness, the hairline fracture of his character: Willy's a winner. The engineer sets in motion a clockwork crime with all of the objects moving in ways he predicts.Written by
When Willy Beachum is in his office, the boxes behind his desk are labelled "People vs. Morgenthau". Kramer Morgenthau was the Cinematographer for this movie, and another box reads "People vs. Beaupre". Steven F. Beaupre was the Second Assistant Director. See more »
When Nikki and Willy hang out in private outside of a bar/nightclub, the former says to the latter, "So, I think you should go home," but there is a discernible delay between the actress speaking and the movement of the jaw and chin. See more »
I'd read a few reviews which mentioned that the film seemed overlong, laboured, poorly acted, full of clichés, etc. But I went to see it anyway - and was quite pleasantly surprised. The plot, whilst not exactly original, was strong enough to hold the attention all the way through. And I enjoyed having a situation where the 'good guy' was an unsympathetic character. In all, I thought the performances - particularly those of Hopkins and Gosling - were excellent... Hopkins especially. I have to admit that, with a few exceptions (The World's Fastest Indian and Proof amongst them) I've never rated him very highly as an actor. I must be one of the few people who thought he was miscast in The Silence of the Lambs: I thought he hammed it up so much that it detracted from the sense of menace he was supposed to convey. Not so in this film. Here, that sense is very genuine and palpable. Excellently done. My only criticism, I suppose, is that I twigged the ending about half-way through, which rather spoilt it. Which isn't to say that it's necessarily obvious. There was one scene, though, which I think gave the game away. Maybe they should have cut it. Despite that, though, it was still well worth the money for me. A very entertaining film.
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