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Wristcutters: A Love Story (2006)

2:33 | Trailer
A film set in a strange afterlife way station that has been reserved for people who have committed suicide.


Goran Dukic


Goran Dukic (screenplay), Etgar Keret (short story "Kneller's Happy Campers")
9 wins & 6 nominations. See more awards »



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Plot kept under wraps.

Director: Goran Dukic


Cast overview, first billed only:
Will Arnett ... Messiah
Abraham Benrubi ... Erik
Leslie Bibb ... Desiree
Mark Boone Junior ... Mike (as Mark Boone Jr.)
Cameron Bowen ... Kostya
Clayne Crawford ... Jim
Chase Ellison ... Kid Kostya
Patrick Fugit ... Zia
Adam Gifford ... Gas Station Attendant (as Adam G.)
Mary Pat Gleason ... Eugene's Mother
John Hawkes ... Yan
Mikal P. Lazarev ... Nanuk
Aaron Parker Mouser ... Max (as Aaron Mouser)
Nick Offerman ... Cop
Anatol Rezmeritza Anatol Rezmeritza ... Eugene's Father


Despondent over his breakup with Desiree, Zia slashes his wrists and goes to an afterlife peopled by suicides, a high-desert landscape dotted by old tires, burned-out cars, and abandoned sofas. He gets a job in a pizza joint. By chance, Zia learns that Desiree offed herself a few months after he did, and she's looking for him. He sets off with Eugene (an electrocuted Russian rocker) to find her, and they pick up a hitchhiker, Mikal, who's looking for the People in Charge, believing she's there by mistake. They're soon at the camp of Kneller, where casual miracles proliferate. They hear rumors of a miraculous king. Can Zia find Desiree? Then what? Where there's death there's hope. Written by <jhailey@hotmail.com>

Plot Summary | Add Synopsis


Nobody's Perfect See more »

Motion Picture Rating (MPAA)

Rated R for language and disturbing content involving suicide | See all certifications »

Parents Guide:

View content advisory »


Official Sites:

Official site




English | Russian

Release Date:

2 November 2007 (USA) See more »

Also Known As:

Csuklónyiszálók See more »

Filming Locations:

California, USA See more »


Box Office


$1,000,000 (estimated)

Opening Weekend USA:

$42,808, 21 October 2007

Gross USA:


Cumulative Worldwide Gross:

See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs


Sound Mix:

Dolby Digital



Aspect Ratio:

1.78 : 1
See full technical specs »

Did You Know?


When Eugene kills himself on stage by pouring a beer onto his guitar, he is drinking "Dead Guy Ale", brewed by Rogue Brewing Company. See more »


Approximately 44 minutes into the movie, when Zia first encounters the note written by Desiree, she writes the letter "I" in cursive, when he goes outside to show it to his two friends, the letter "I" in the note is shown again in print. See more »


Eugene: I live with my patents and my kid brother Kostya.
Zia: You're fucking with me.
Eugene: I'm not fucking with you.
Zia: I've never heard of a whole family here before.
Eugene: Mom... offed because she was missing Russia a lot. And my father, he just didn't feel like going on without her. But, what really did it for him was my little brother turning out to be gay.
Zia: And your kid brother?
Eugene: Kostya?
Zia: Kost... ya.
Eugene: I guess, he had it in his genes, man.
See more »


Gloomy Sunday
Written by László Jávor, Sam Lewis (as Samuel Lewis), Rezsö Seress
Performed by Artie Shaw
Courtesy of Bluebird/Novus/RCA/Victor
By Arrangement with Sony BMG Entertainment
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User Reviews

A wealth of humour aptly masked in gloominess
8 November 2006 | by Flagrant-BaronessaSee all my reviews

This is a creative treat that, while boasting of no discernible insight or idealist film-making ambitions, manages thoroughly entertaining – perhaps it is due to the aforementioned low-key approach that Wristcutters fares so well. Balkan director Goran Dukic combines the best of offbeat indie cinema with 'traditional' dark humour, making the film appropriately edgy but never tipping over into 'desperately quirky' like so many "festival type films" fall prey to.

In fact, when I sneaked in as a volunteer to a screening during the Stcokholm International Film Festival, the manager presented the film as one of his personal favourites of 2006. This should serve as a mark of its success and indeed I was pleasantly surprised at how much fun I had. This is highly ironic since both the style and substance of Wristcutters are unspeakably gloomy and sad. Much credit it due to Dukic for making something as tragic as suicide victims into laugh-out-loud catalysts.

But the film perhaps belongs to Patrick Fugit who inhabits the protagonist Zia – a young man who slits his wrists in the first scene of the film and ends up in a 'suicide limbo' of sorts, where all people who have taken their own lives are banished. I say 'banished' because this afterlife is an unreasonably gloomy, grey and grainy nowhere-place that is captured remarkably through a seemingly colourless lens that aptly emphasizes the mundane and depressing state. There are barren industries and vast stretches of desert – nothing else. Oh and no one smiles. Ever.

Zia leads a dull life in this post-apocalyptic hole until one day he finds out that his ex-girlfriend on earth has also committed suicide and ought to be in the same place as him. He sets out on a road-trip with his friend Eugene (a superbly funny Shea Whigham) – a Russian immigrant who lives with his whole family of suicide victims and soon the two are joined by a beautiful newcomer and hitchhiker (Shannyn Sossamon) who claims she got here "by mistake" and is now trying to rectify it by finding the people in charge.

Although much fun is to be found in the creatively barren setting, the central triumvirate is possibly one of the most dynamic mix of characters on film in recent years, no hyperbole. Shea Whigham is gloriously hard-boiled and hilarious as Eugene the Russian and enables the director Dukic to reconnect with his Slavic roots. It is both admirable and puzzling that the film manages so funny without resorting to laughter or smiles (there are two smiles throughout the movie, seriously).

But 'Wristcutters' has problems: it remains a shallow look at an infinitely more layered issue, suicide. It explores no characters to depth nor does it ever bring up what drove them to taking their own life in the first place. In this way, no interesting philosophical notions are navigated and no insights or messages come through other than an overriding 'Pro-Life' attitude – Pro-Life being for living and against suicide which is punished by an eternity in a perpetually gloomy state, a subtle hell of creative proportions.

Thankfully it avoids most of its shortcomings by simply being short and sweet. Of course, this renders Wristcutters: A Love Story an ultimately forgettable little indie romp.

7 out of 10

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