A woman on the run from the mob is reluctantly accepted in a small Colorado town. In exchange, she agrees to work for them. As a search visits the town, she finds out that their support has a price. Yet her dangerous secret is never far away.
Medea is in Corinth with Jason and their two young sons. King Kreon wants to reward Jason for his exploits: he gives the hand of his daughter, Glauce, to Jason as well as the promise of the... See full summary »
The owner of an IT firm wants to sell up. The trouble is that when he started his firm he invented a nonexistent company president to hide behind when unpopular steps needed taking. When potential purchasers insist on negotiating with the "Boss" face to face the owner has to take on a failed actor to play the part. The actor suddenly discovers he is a pawn in a game that goes on to sorely test his (lack of) moral fibre.Written by
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A number of visual elements were hidden in the danish distribution of this film. These visual elements, called "Lookeys", were part of a contest to find them all. The first finder was to get a price and a role as an extra in an upcoming film. See more »
Not one of Lars von Trier's more important works, but it's worth a watch
Lars von Trier's Danish-language comedy. It never interested me much, though I used to love von Trier (despite always acknowledging his numerous flaws). And it is definitely one of his least good films. If we ever find ourselves looking back at his career in the distant future, this one will not be mentioned much. It's about an out-of-work actor (Jens Albinus) who is hired by a company's CEO who is pretending only to be that company's lead lawyer (Peter Gantzler) to impersonate the mythical, unseen "boss of it all". Gantzler plans to sell off the company, as well as his employee's patents, to an Icelander (played by Children of Nature's director, Friðrik Þór Friðriksson), but he doesn't want to be identified as the guilty party, instead setting up this patsy to take the blame from his crazy co-workers (among whom is Iben Hjejle, whom you may remember from Stephen Frear's High Fidelity). The film is moderately amusing. Though many people seem to think von Trier's oeuvre consists mostly of tragedies, his work is more often darkly comic. The Boss of It All isn't nearly his funniest work. The Kingdom and The Idiots are both funnier, as is arguably Europa. Friðrik Þór Friðriksson actually provides most of the film's laughs as the thunderous, Dane-hating Icelander, recalling Ernst-Hugo Järegård's Dane-hating Swede from The Kingdom. But still, The Boss of It All is good, even if it will eventually just be a footnote.
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