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Puss in Boots (2011)

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An outlaw cat, his childhood egg-friend and a seductive thief kitty set out in search for the eggs of the fabled Golden Goose to clear his name, restore his lost honor and regain the trust of his mother and town.

Director:

Chris Miller

Writers:

Tom Wheeler (screenplay by), Brian Lynch (story by) | 3 more credits »
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Popularity
4,944 ( 96)
Nominated for 1 Oscar. Another 9 wins & 42 nominations. See more awards »

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Cast

Cast overview, first billed only:
Antonio Banderas ... Puss in Boots (voice)
Salma Hayek ... Kitty Softpaws (voice)
Zach Galifianakis ... Humpty Alexander Dumpty (voice)
Billy Bob Thornton ... Jack (voice)
Amy Sedaris ... Jill (voice)
Constance Marie ... Imelda (voice)
Guillermo del Toro ... Moustache Man / Comandante (voice)
Mike Mitchell ... Andy Beanstalk (voice)
Rich Dietl Rich Dietl ... Bounty Hunter (voice) (as Rich B. Dietl)
Ryan Crego Ryan Crego ... Luis (voice)
Tom Wheeler Tom Wheeler ... Bartender / Mean Boy / Wagon Driver / Hotel Owner / Rodrigo (voice)
Conrad Vernon ... Raoul / Soldier (voice)
Tom McGrath ... Bar Thief (voice)
Bob Joles ... Giuseppe (voice)
Latifa Ouaou ... Crazy Woman / Mean Girl / Milk Lady / Little Boy (voice)
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Storyline

Years before meeting Shrek and Donkey, the adorable but tricky Puss in Boots must clear his name from all charges making him a wanted fugitive. While trying to steal magic beans from the infamous criminals Jack and Jill, the hero crosses paths with his female match, Kitty Softpaws, who leads Puss to his old friend, but now enemy, Humpty Dumpty. Memories of friendship and betrayal enlarges Puss' doubt, but he eventually agrees to help the egg get the magic beans. Together, the three plan to steal the beans, get to the Giant's castle, nab the golden goose, and clear Puss' name. Written by Mr. Top Hat

Plot Summary | Plot Synopsis

Taglines:

Get ready for an adventure nine lifetimes in the making. See more »


Motion Picture Rating (MPAA)

Rated PG for some adventure action and mild rude humor | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Facebook | Official site | See more »

Country:

USA

Language:

English | Spanish

Release Date:

28 October 2011 (USA) See more »

Also Known As:

El gato con botas See more »

Filming Locations:

Chicago Illinois, USA See more »

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Box Office

Budget:

$130,000,000 (estimated)

Opening Weekend USA:

$34,077,439, 30 October 2011

Gross USA:

$149,260,504

Cumulative Worldwide Gross:

$554,987,477
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

SDDS | Datasat | Dolby Digital

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

As with the main Shrek films, Puss in Boots (2011) released the same year as a Harry Potter film, being Harry Potter and the Deathly Hallows: Part 2 (2011). Shrek (2001) released the same year as Harry Potter and the Sorcerer's Stone (2001), Shrek 2 (2004) released the same year as Harry Potter and the Prisoner of Azkaban (2004), Shrek the Third (2007) released the same year as Harry Potter and the Order of the Phoenix (2007), and Shrek Forever After (2010) released the same year as Harry Potter and the Deathly Hallows: Part 1 (2010). See more »

Goofs

When the goose shows up to recover her eggs, she is disproportionately large compared to the size of the eggs. See more »

Quotes

[from trailer]
Kitty Softpaws: [to Puss, wearing his hat] I'll steal you blind, and you'll never even know I was there!
[an annoyed Puss grabs his hat back]
See more »

Crazy Credits

When the DreamWorks Animation logo appears, it is accompanied by fireworks and the sound of a whip and the music is Latino-themed and festive. See more »

Connections

Referenced in Midnight Screenings: Bad Teacher/Cars 2 (2011) See more »

Soundtracks

Venimos Cantando
Written by Felix Vizcaino, Federico Alonso Pernia and García Tejero (as Francisco Garcia Tejero)
Performed by Los Choqueros
Courtesy of Countdown Media
See more »

Frequently Asked Questions

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User Reviews

Better than expected, but far from greatness.
4 November 2011 | by chris-massaSee all my reviews

"Puss in Boots" is a perfect example of a movie I absolutely never would have seen if I hadn't gotten a pass to a free screening. And if I had gone to see it — and, to reiterate, I wouldn't have — there's simply no way I would have seen it in 3D. But it was free, so I did. I guess you could say I had low expectations.

Some background: I loved "Shrek", I basically couldn't stand "Shrek 2", in part because I found the Puss in Boots character more annoying than charming, and I never bothered with the other "Shrek" sequels. Life is just too short. So I expected "Puss in Boots" to be, at best, tolerable, stupid, and intermittently funny. Imagine my surprise when I found that it was somewhat better than tolerable, more than intermittently funny, and actually kind of clever.

The story, as should be expected from a member of the "Shrek" lineage, plays fast and loose with fairy tale characters, plot points, and conventions. Puss, an orphaned cat now branded as an outlaw, joins forces with Humpty Dumpty, an egg of questionable intent, and Kitty Softpaws, a feline fatale, to steal the magic beans from Jack and Jill, grow a magic beanstalk, and find the golden goose of legend. Naturally, things don't go according to plan, and the plot thickens. It's pointless, but fun.

There are instances of real invention here. The first is the setting, which is sort of a medieval spaghetti western, although the western card was played better in "Rango". There are several great visual gags, like what happens to Humpty's covered wagon, and a dance fight that is easily the best part of the movie. Without giving anything away, I'll also say that, the more you think about the identity of the "monster", the funnier, and the more fitting, it becomes. However, the storytelling is sloppy at times. There's at least one plot point that is dispensed with far too quickly, and the fate of one character simply doesn't make sense. Still, it all kind of works, and the good parts are good enough to help you forget the shortcomings.

Ultimately, the movie is saved by its pacing and its animation, which, as much as I hate to admit it, is absolutely stunning in 3D. I can't recommend paying the 3D up-charge, but I will say that those who do will probably not be disappointed. This isn't a cheap, gimmicky use of 3D, but one that actual adds depth and detail. There was one particular scene, a chase that, oddly enough, reminded me of "Honey, I Shrunk the Kids", where I found the use of 3D really creative. Would I pay for the 3D? Probably not, but for those looking for a 3D experience, you could do a lot worse.

"Puss in Boots" also raises the question of whether or not it's worth it to have major stars as voice actors. Actually, I take it back. This movie doesn't so much raise that question as answer it, resoundingly, with a no. As much fun as Antonio Banderas is as Puss, I'm not convinced that he brings anything to the role that a lesser known actor couldn't have brought. Salma Hayek and Zach Galifianakis are completely wasted as Kitty and Humpty. Billy Bob Thornton is a good choice as Jack, but that's largely because of the clever writing. Understand what I'm saying: I'm not being critical of these actors' work. I am being critical of the decision to cast them in a picture like this, where the most clever aspects of their characters come from the animation, not from the vocal performances. My suggestion would be to save the money needed to hire such big names, and use lesser known actors, perhaps from Broadway. That way, it would be easier for "Puss in Boots", a movie that many people will approach with a deserved amount of skepticism, to make money, and struggling actors will find more work. Believe me, the movie won't suffer from it.

This isn't high art. It's not nearly the equal of "Shrek", and it doesn't have one iota of the heart of most Pixar films, or of DreamWorks' "How to Train Your Dragon". But at the same time, it's not bad for what it is. It's clever, witty, well-made, and fast-paced. It's nothing like a masterpiece, but as far as diversions go, it's quite diverting.


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