Critic Reviews



Based on 23 critic reviews provided by
Wall Street Journal
It's a stirring portrait of a singular artist, a gorgeously photographed album of his buildings, and, perhaps most importantly, a film that manages to demystify the way he works without diminishing it.
Entertainment Weekly
Gehry sketches and free-associates about how he's not nearly the menschy aw-shucks pussycat from Canada he appears to be but rather a wily, complicated L.A. lion.
Lucid and engaging, Sketches of Frank Gehry provides the enormously gratifying opportunity to spend an hour-and-a-half with an artistic giant.
The footage of Gehry's work, notably the Guggenheim Museum in Bilbao and the Walt Disney Concert Hall in Los Angeles, is often startlingly beautiful, and Gehry is forthcoming about how he achieved his effects. But too much of the film is taken up with gushy self-serving talking-head testimonials.
Providing a tart balance to such enthusiastic admiration, Gehry's own blunt musings on his motivations, revelations and desires prove especially interesting.
Village Voice
This enjoyably breezy portrait of genius architect Frank Gehry is drawn doodle-style by first-time documentarian Sydney Pollack.
You learn as much as you need to know to understand Gehry's architectural process and to appreciate his enormous contribution to modern art and architecture. Which is not a bad thing. Just sketchy.
This absorbing documentary, the first directed by Sydney Pollack, is a modest undertaking, offering glimpses of the architect and his work rather than a full-scale portrait or catalogue raisonné.
The A.V. Club
Gehry is a fascinating subject, a strangely magnetic combination of rumpled, aw-shucks humility and Herculean ambition and hubris, but every time Pollack stumbles onto a fascinating topic like Gehry's battles with anti-Semitism, he pulls away instead of delving deeper.
New York Post
The Sketches of Frank Gehry will appear this fall on PBS' "American Masters," which seems a more appropriate venue than theaters.

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