How long does it take before the abnormal seems normal? Death, love and family values are all up for re-negotiation in this dark and unusual black comedy about a girl trying to start a new ... See full synopsis »
Based on the Aramoana Massacre that occurred on 13 November and 14 November 1990. Resident David Gray, an unemployed gun collector, went on a rampage in which 13 people were shot dead, before Gray himself was shot by police.
In Greece to scatter his father's ashes, Isaac hears of a curse that hangs over the head of his family. Dismissing the idea, his trip begins to unveil dark truths that forced his father to flee years ago.
P.I.N.S. is a documentary that profiles three Melbourne parking inspectors. The camera goes deep into the personal lives of Warwick, Paul and Rob capturing both the violent abuse they cop in the course of their rounds.
This interesting film covers a largely neglected subject matter: the Jewish experience in modern day Australia. Ewen Leslie gives a strong performance as Yuri, a young Jew who returns to Sydney for his father's funeral. This event causes Yuri to question his faith and he decides to give up his father's dream for him to become a Rabbi and finds work as a taxi driver instead. The film then explores Yuri's relationship with his religion and his awakening sexuality.
Tony Krawitz has crafted an intelligent film and treated his subject matter with much sensitivity. Australian viewers will particularly enjoy the stylised way in which locations are presented. It is no small feat to transform the shiny surrounds of Bondi into the gloomy, brooding place we see in the film.
My only real criticism of the film is the stereotypical nature of some of the supporting characters. Yuri's grandmother is yet another example of an old, meddling Jewish woman whose main priority in life is feeding people. Sarita, the Fijian taxi driver, is another character that feels underdeveloped. It's quite obvious that the supporting characters are simply there to reflect Yuri's journey and development. The blame for this might lie, however, with the film's short 50 minute running time.
All in all, this film represents an intriguing new voice in Australian cinema. Recommended!
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