An adolescent groupie zeroes in on her Blondie-like idol after the singer chances to cross her orbit on a publicity tour. Gradually their lives intertwine as, with near-operatic intensity, ...
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Isild Le Besco,
Laura Bartelli is a stripper in a French bar. She retires after a moody landscape architect named Marco Tisserand asks her to abandon her life and share his. However, after her red ... See full summary »
Chris, a sexy teenager who appears mostly bare-breasted on the French Riviera, has a crush on Romain, her mother's lover. In reaction to her inability to attract his attention, she experiments with other risque affairs.
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Joaquim de Almeida,
A boy in his early teens develops a crush on a grown woman old enough to be his mother only to discover she is also attracted to him. Marion (Emmanuelle Bercot) is a headstrong and ... See full summary »
Harry is a young millionaire on holiday; he takes his yacht to a Greek island, and stays in the mansion of his friend, Count Orloff. The Count organizes a feast there, for three days and ... See full summary »
On the day she celebrates her birthday, Jeanne, a young actress, is told by her mother her father is an Indian she once met on the banks on the river Ganges. From then on, Jeanne acts with ... See full summary »
Isild Le Besco,
An adolescent groupie zeroes in on her Blondie-like idol after the singer chances to cross her orbit on a publicity tour. Gradually their lives intertwine as, with near-operatic intensity, the film delves into the emotional dependency on both sides of celebrity culture.Written by
Tribeca Film Festival
Some friends took me to see this film in Helsinki. I really had no idea what to expect. The evening started, as evenings at the cinema do, with a series of trailers. There came what seemed to be a trailer for a French film featuring an ageing chanteuse (shades of a Gallic Madonna perhaps) performing in front of a young, hysterical audience. I thought that there was a film I would not go and see
and then it turned out it wasn't a trailer, but the start of the evening's main entertainment. The first five minutes set a scene, and a plot line appeared to be established. Not a particularly enthralling plot, perhaps, but something which might carry us along.
How wrong we were. The plot got stuck in a Paris hotel suite, and the characterisation wasn't even skin deep. The chanteuse Lauren, or Sylvia was a diva with problems. But not interesting problems, or dramatic problems; just time-consuming ones. She had some sort of artistic block. She sent a star-struck fan who had implausibly joined her entourage, Lucie, not to buy drugs, but to buy tampons. She was mobbed by fans, a strange and unconvincing mixture, who mostly looked like thirty-something resting actors told to wear something red and plastic. She had family problems of some sort. It was immensely boring. For all I know it perked up in its last forty minutes. But by then we were already in a nearby restaurant wondering why this film should have been made, let alone marketed, or rated by the critics.
There was one good line, when the diva's agent or boyfriend or whatever said that "she likes to appear wild, but underneath she's as dead as her stuffed deer" - a major feature of the hotel suite, which did indeed give a livelier performance than most of the cast. Let that be the epitaph for this exceptionally disappointing movie.
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