A down-and-out film producer agrees to make his nephew's film about 19th century English statesman Benjamin Disraeli, but can only get financing if he casts a well-known action star. ... See full summary »
Womanizing advertising executive Aaron tries to stop best friend Sean from falling into the "eternal damnation" of marriage by throwing a wild bachelor party to remind Sean of the joys of bachelorhood.
Based on a very clever comedy by Claire Booth, wife of Time Publisher Henry Luce and later Ambassador to Italy. One of the surprises was an all-woman cast, novel in the 1930's. And although there were no men in the cast, most of the dialog was about them. The story is rather thin and depended on the fact that divorce, in the 1930's, was not only difficult but almost impossible in New York. Mrs. Stephen Haynes learns that her husband is seeing a salesgirl at Saks, and reluctantly divorces him, abetted by her friends, all of whom have romantic problems of their own. In the 1930's New York women who could afford it went to Nevada, where residency could be established quickly and divorce was relatively easy. The 1939 film, starring Norma Shearer, Paulette Goddard, Rosalind Russell, and Joan Crawford, was a hit. This one, with an even better looking cast, is definitely not, largely because someone tried to move a 1930's situation comedy into the present.Written by
According to Diane English, the project was in development, from the first draft to the final green light, for fifteen years. See more »
(at around 1h 45 mins) After the birth scene, the infant is passed from the bassinet to the girls, the baby has it's arms hanging limply by it's side. As the infant is given to the mother the baby is totally swaddled and it's arms are inside the blankets. See more »
This movie is a remake of and 1930s movie of the same title and which is a great film. This is not a great film, but it's a good film and holds up well since it's been out for quite awhile now.
Mary Haines has a husband who begins having an affair with a "spritzer girl" from Saks Fifth Avenue. This is the basic plot of both films. In addition, the film has NO male characters - this is also true of both films.
How Mary handles this is different in the 2008 version because women have different lives than they did in the 30s. Duh.
But I like the updated ideas and updated relationships. The 2008 version does not have some of the biting humor of the original but it also lacks some of the sappiness, too.
Bette Midler has a tiny part which mimics the original and which was cut for the 2008 version. I'd have loved to see more of her!
Don't expect a lot, but expect a few giggles.
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