Steve Coogan has been asked by The Observer to tour the country's finest restaurants, but after his girlfriend backs out on him he must take his best friend and source of eternal aggravation, Rob Brydon.
There's little wonder in the working-class lives of Bill, Eileen, and their three grown daughters. They're lonely Londoners. Nadia, a cafe waitress, places personal ads, looking for love; ... See full summary »
The tide is slowly coming in and Finn, a worthless low-rent hood, has been dropped on an isolated beach, his feet set in concrete. Finn's misery is compounded when Jack, a hard and edgy ... See full summary »
Two actors, as their make up is applied, talk about the size of their parts. Then into the film: Laurence Sterne's unfilmable novel, Tristram Shandy, a fictive autobiography wherein the narrator, interrupted constantly, takes the entire story to be born. The film tracks between "Shandy" and behind the scenes. Size matters: parts, egos, shoes, noses. The lead's girlfriend, with their infant son, is up from London for the night, wanting sex; interruptions are constant. Scenes are shot, re-shot, and discarded. The purpose of the project is elusive. Fathers and sons; men and women; cocks and bulls. Life is amorphous, too full and too rich to be captured in one narrative.Written by
Tony Wilson: The real Tony Wilson (who Steve Coogan played in 24 Hour Party People (2002), another Michael Winterbottom film) plays himself, interviewing Steve Coogan on the film set. The somewhat spiky relationship between the two (who also worked together on local TV in the early 1990s) is subtly referenced in Coogan's lukewarm "let's catch up in Manchester". See more »
I've got to be able to kick and stretch. That's what foeti do.
Yeah, but not when they're full term.
He wants realism. Yeah. I'm a grown man, talking to the camera, in a womb.
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Opening credits have (intentional) spacing issues, and mismatched fonts. See more »
Just as with "In This World," the British DVD features a 1.78:1 transfer of the film. Although the film was shot for release in theaters at 2.35:1, because it was made on DV, the total space of the filmed image was 1.78. The film was masked for theatrical release, as the director intended. However, for DVD release, the film was transferred open matte. Again, like "In This World," only the American DVD respects the theatrical aspect ratio of 2.35:1. See more »
In trying to film a movie based on the novel Tristam Shandy, it is explained that this book is utterly unfilmable. modestly rather, they show the actual process of trying to make this movie while discussing the parts of the book that displayed meaning so they can decide what scenes will be added/cut in the movie. Cleverly enough, this entire process serves as a metaphor for the actual book and the digressive nature of it. Maybe not the most interesting topic to watch, but it is done well enough for you to be curious as to how everything is resolved. If you don't get the metaphor, you will not like the movie. If you do, you might be as delighted as ever that something quite unique has just been viewed.
didn't i just sound ridiculous?
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