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Romanzo Criminale (2005)

Romanzo criminale (original title)
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2:21 | Trailer
Set in the 1970s, it's the story of three lifelong friends who take control of organized crime in Rome.

Director:

Michele Placido

Writers:

Giancarlo De Cataldo (novel), Stefano Rulli (screenplay) | 3 more credits »
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32 wins & 25 nominations. See more awards »

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Cast

Cast overview, first billed only:
Kim Rossi Stuart ... Il Freddo
Anna Mouglalis ... Patrizia / Cinzia
Pierfrancesco Favino ... Libano
Claudio Santamaria ... Il Dandi
Stefano Accorsi ... Commissario Scialoja
Riccardo Scamarcio ... Il Nero
Jasmine Trinca ... Roberta
Toni Bertorelli Toni Bertorelli ... La Voce
Gigi Angelillo Gigi Angelillo ... Zio Carlo
Antonello Fassari ... Ciro Buffoni
Elio Germano ... Il Sorcio
Franco Interlenghi ... Barone Rosellini
Donato Placido Donato Placido ... Colussi
Massimo Popolizio ... Il Terribile
Gianmarco Tognazzi Gianmarco Tognazzi ... Carenza (as Gian Marco Tognazzi)
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Storyline

Italy, the 1970s, in the grip of molded politics, corruption and the mafia. A small circle of friends grows up in Rome and decides to use their skills and connections with organized crime and specialists to carve out their own share. Thus Il Freddo, Libano and Il Dandi builds up a rogue crime empire. Commissario Scialoja however gives chase, successfully once he can play on the breakdown of their loyalty, especially from Patrizia 'Cinzia'. Written by KGF Vissers

Plot Summary | Add Synopsis

Genres:

Crime | Drama

Certificate:

See all certifications »
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Details

Country:

Italy | France | UK

Language:

Italian | English | French

Release Date:

30 September 2005 (Italy) See more »

Also Known As:

Kings of Crime See more »

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Box Office

See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (extended)

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

Director Michele Placido wanted Paz Vega to play Patrizia but she could not take on the role because of scheduling conflicts. Anna Mouglalis was cast instead. See more »

Goofs

The section of Bologna Central Station that is shown when the bomb explodes is the wrong part of the building. The waiting room, where the real bomb exploded is on the left side of the main entrance, this is actually part of the ticket hall which remained mostly undamaged during the explosion. See more »

Alternate Versions

The extended version of the movie features two new sequences, including some archival footage with Silvio Berlusconi. The scene is omitted in the version aired by Italian network Canale 5, owned by Berlusconi. See more »

Connections

Version of Romanzo Criminale (2008) See more »

Soundtracks

La bambola
Written by Ruggero Cini, Franco Migliacci (as Francesco Migliacci) and Bruno Zambrini
Performed by Patty Pravo
See more »

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User Reviews

 
hyper-realistic style, color, photography, acting were triumphant
14 April 2009 | by slaterspinsSee all my reviews

I confess I'm not Italian and don't really have a grasp on the historical significance of the 70's in Italy though I read Moravia's A Time of Innocence (I believe that was the English translation title) and liked it. The movie looked like it was made in contemporary times and the few references to the 70's were confusing as nobody looked like they did in that period. Given that, I loved the style, color, photography and editing and found the plot absorbing and the actors great for the parts. I haven't seen the extended version, don't know what it includes, but would like to, since I was never bored for a minute and it could have been longer as far as I was concerned. Kim Rossi Stuart was great, as were the other members of the 'band', though yes, he seemed out of his element playing a 'cold-blooded' killer. But his sensitivity and decline at the end worked for me. The other guys were great, as was Anna who played Patrizia. She was pretty stunning to look at and believable - when she was on the screen my eyes never wandered. The movie reminded me of Soavi's Uno Bianca in its hypersensitive style, which I loved, though Romanzo wasn't as tight or as suspenseful, I guess. And it wasn't scary either like Soavi's Ultima Pallottola. I don't know if it makes me shallow or what, but I liked the glossy, model feel of the movie a lot. Like I like Soavi's work. For my eyes it was a cinematic feast. Its apparent failings pointed out by other reviewers as a faithful adaptation of the material about the times didn't so much matter to me as I don't know that much about them anyway. I just enjoyed the movie as if it were taking place today and I think others like me might too.


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