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The Fountain (2006)

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2:24 | Trailer
As a modern-day scientist, Tommy is struggling with mortality, desperately searching for the medical breakthrough that will save the life of his cancer-stricken wife, Izzi.

Director:

Darren Aronofsky

Writers:

Darren Aronofsky (screenplay), Darren Aronofsky (story) | 1 more credit »
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Popularity
2,551 ( 102)
Nominated for 1 Golden Globe. Another 9 wins & 34 nominations. See more awards »

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Cast

Cast overview, first billed only:
Hugh Jackman ... Tomas / Tommy / Tom Creo
Rachel Weisz ... Isabel Creo
Ellen Burstyn ... Dr. Lillian Guzetti
Mark Margolis ... Father Avila
Stephen McHattie ... Grand Inquisitor Silecio
Fernando Hernandez Fernando Hernandez ... Lord of Xibalba
Cliff Curtis ... Captain Ariel
Sean Patrick Thomas ... Antonio
Donna Murphy ... Betty
Ethan Suplee ... Manny
Richard McMillan ... Henry
Lorne Brass Lorne Brass ... Dr. Alan Lipper
Abraham Aronofsky ... Lab Technician
Renee Asofsky Renee Asofsky ... Lab Technician
Anish Majumdar Anish Majumdar ... Dr. Spencer
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Storyline

Three stories - one each from the past, present, and future - about men in pursuit of eternity with their love. A conquistador in Mayan country searches for the tree of life to free his captive queen; a medical researcher, working with various trees, looks for a cure that will save his dying wife; a space traveler, traveling with an aged tree encapsulated within a bubble, moves toward a dying star that's wrapped in a nebula; he seeks eternity with his love. The stories intersect and parallel; the quests fail and succeed. Written by <jhailey@hotmail.com>

Plot Summary | Plot Synopsis

Taglines:

Death as an act of creation. See more »


Motion Picture Rating (MPAA)

Rated PG-13 for some intense sequences of violent action, some sensuality and language | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

Canada | USA

Language:

English | Maya

Release Date:

22 November 2006 (USA) See more »

Also Known As:

The Last Man See more »

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Box Office

Budget:

$35,000,000 (estimated)

Opening Weekend USA:

$3,768,702, 26 November 2006

Gross USA:

$10,144,010

Cumulative Worldwide Gross:

$15,978,422
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

DTS | Dolby Digital

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

The film draws from Jewish Kabbalah, Mayan mythology, space travel and brain surgery research. See more »

Goofs

Tikal is mentioned by the queen's priest, however, it wasn't discovered until the mid 19th century, and the name Tikal ("place of voices") was applied only in the early 20th century by archaeologists. This scene is a novel-within-the-film written by Izzi Creo, whose research may not be perfect. See more »

Quotes

[first lines]
Tomas Verde: Let us finish it.
See more »

Crazy Credits

The movie ends with a white out, which represents the Big Bang or creation of the Universe. Following that, the white areas behind the credits condense, which correlates with the condensation of matter and ultimate large scale structure of the universe. These devolve to a black screen, the early "opaque" stage of the universe, when early particles were forming. From this, stars begin to form, one by one until the credits end with a universe full of stars and the story of our universe to the present, told behind the credits. See more »

Alternate Versions

The film was originally submitted to the BBFC on 30th June 2006, where it was passed with a 15 certificate. However, on 30th November 2006 the film was submitted again as a "re-edited" international version, with "changes made to reels 2, 3 and 5". This new version runs 16 seconds longer and was awarded a lower 12A certificate. The BBFC's website does not list the specific changes made. See more »

Connections

References Ikiru (1952) See more »

Frequently Asked Questions

See more »

User Reviews

 
The Path to Life
18 October 2006 | by LarkWithakaySee all my reviews

I had the immense pleasure of viewing this film for its second screening ever, when it was showcased at Chicago's International Film Festival. Fans of Aronofsky who enjoyed the intensity of 'PI' and 'REQUIEM FOR A DREAM' will find that Darren's primary thematic focus has shifted yet again from the mind and gut ('PI' and 'REQUIEM', respectively) to the heart. However, don't take this to mean that 'THE FOUNTAIN' isn't intellectually engaging or visceral in its impact.

In a word, this film is warm. Aronofsky's palette for his third feature is a swirling miasma of golden yellows, and it sets the tone for the work. 'THE FOUNTAIN' is a life-affirming treatise on the eternity of love. Cynical hacks might decry this as a mawkish, facile rumination of saccharine proportions, but despite the sentimental themes, the film is never cloying, opting instead for a (sur)realistic portrayal of the nuances of one of life's most powerful emotions.

The casting was superb: Rachel Weisz and Hugh Jackman are outstanding in their roles, with both offering utterly believable performances. Weisz reveals the same depths she did in 'THE CONSTANT GARDENER', portraying myriad subtleties in a role that could've easily been misplayed, starring as Jackman's love throughout time. For those who've only seen Jackman in action-oriented mutant movies, his command of his character's strengths AND frailties is a welcome surprise. The supporting cast was excellent as well, with Ellen Burstyn standing out in particular.

Special effects were phenomenal, even without taking the film's halved budget into consideration. I won't spoil the surprise, but when you find out how Aronofsky and Co. achieved some of the extraordinary images, you're sure to be impressed (and reminded of a film classic from over 25 years ago). This is not a film to rely on FX, though. In fact, the segment (not scene; the story is split across three time periods) using the bulk of the effects is probably the shortest.

Aronofsky ambitiously tackles heavy themes and concepts and he does it in a little over 90 minutes. I didn't realize how short the film was until it was over. However, 'THE FOUNTAIN's brevity could also be perceived as an extension of one of its themes: learning to appreciate the world and its beauty in whatever time we are allotted.


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