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Henri Langlois: The Phantom of the Cinémathèque (2004)

Le fantôme d'Henri Langlois (original title)
Life and work of the founder of the Cinémathèque Française.

Director:

Jacques Richard

Writer:

Jacques Richard

On Disc

at Amazon

1 nomination. See more awards »

Photos

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Cast

Credited cast:
Henri Alekan ... Himself
Catherine Allégret ... Herself
Jo Amorin Jo Amorin ... Himself
Jean-Michel Arnold Jean-Michel Arnold ... Himself
Christian Auboire Christian Auboire ... Himself
François Barat François Barat ... Himself
Raphaël Bassan Raphaël Bassan ... Himself
Jean-Paul Belmondo ... Himself (archive footage)
Claude Berri ... Himself
Bernard Boursicot Bernard Boursicot ... Himself
Marie-Charlotte Bridant Marie-Charlotte Bridant ... Herself
Freddy Buache ... Himself
Raymonde Carasco Raymonde Carasco ... Herself
Pierre Cardin Pierre Cardin ... Himself
Marcel Carné ... Himself (archive footage)
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Storyline

Organized mostly chronologically, the film presents the 40-year career of Henri Langlois (1914-1977), film's first archivist, and the creator of the Cinémathèque Française and Musée du Cinéma. Talking heads, film clips and stills, and archival interviews with Langlois trace his life from 1935, when he starts the Circle of Cinema film club. He begins to buy films, saving many from destruction. During World War II, he finds places to hide them. By mid-1944, the Cinémathèque has 50,000 films. He runs afoul of bureaucrats, but the New Wave comes to his defense. The museum opens in 1972. The film celebrates his philosophy and beliefs, personality and dedication, and his vision. Written by <jhailey@hotmail.com>

Plot Summary | Add Synopsis


Certificate:

Not Rated
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Details

Country:

France

Language:

French

Release Date:

2 March 2005 (France) See more »

Also Known As:

Henri Langlois: Phantom of the Cinematheque See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Aspect Ratio:

1.33 : 1
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Did You Know?

Quotes

Henri Langlois: [referring to the objects in the Museo du Cinéma] When I started collecting these things, I was criticized - they said, "What's the use? Fetishistic idiocy," etc. My aim was to recreate an atmosphere, transmit a feeling. The artistry is in the actual film. So, Martine Carol's or Marlene Dietrich's dress doesn't send me. What counts is a composite reference. We're matchmakers of illusion.
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Connections

Features Les vampires (1915) See more »

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User Reviews

 
Brilliant and heartbreaking film about a true genius
8 January 2008 | by peacenow17See all my reviews

I'm actually too emotional to be writing this at this moment, having just seen the film. It is clear that without the extraordinary efforts of Henri Langlois, many of the great achievements in cinema would never have survived. Though he was a genius, he always had to deal with the Sisyphean struggle against pettiness and institutional lameness, but especially a lack of, ironically, VISION, to understand the importance of preserving films as a legacy for the future. It is a must-see for anyone who is passionate about film, but it is heartbreaking to experience the struggle. One cannot fathom how it is possible that although he had remarkable support from some of the most important film makers of SEVERAL generations, in the end, the struggle was too much to bear. It is a lesson/warning: When someone of such immense passion and drive subordinates everything for something greater than himself, we, in society, must pay attention. It's not as though he was a great painter who never sold a painting in his lifetime and died never knowing how he may have affected people through his work. Langlois did have champions, but that just wasn't enough because his task was so enormous. This film deserves a better comment. It is at once exhilarating and crushing.


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