In 1985 where former superheroes exist, the murder of a colleague sends active vigilante Rorschach into his own sprawling investigation, uncovering something that could completely change the course of history as we know it.
Clark Kent is an alien who as a child was evacuated from his dying world and came to Earth, living as a normal human. But when survivors of his alien home invade Earth, he must reveal himself to the world.
The brash James T. Kirk tries to live up to his father's legacy with Mr. Spock keeping him in check as a vengeful Romulan from the future creates black holes to destroy the Federation one planet at a time.
After the crew of the Enterprise find an unstoppable force of terror from within their own organization, Captain Kirk leads a manhunt to a war-zone world to capture a one-man weapon of mass destruction.
In the 1960s, superpowered humans Charles Xavier and Erik Lensherr work together to find others like them, but Erik's vengeful pursuit of an ambitious mutant who ruined his life causes a schism to divide them.
In a gritty and alternate 1985 the glory days of costumed vigilantes have been brought to a close by a government crackdown, but after one of the masked veterans is brutally murdered an investigation into the killer is initiated. The reunited heroes set out to prevent their own destruction, but in doing so discover a deeper and far more diabolical plot.Written by
Popular John F. Kennedy assassination-conspiracy-theory suggests that the President was killed by a bullet fired from the front; specifically, from a fence behind a grassy knoll. Also, three transients arrested soon after Kennedy's murder are said to be the "additional assassins." The opening montage portrays the Comedian delivering the fatal bullet from the grassy knoll's fence, dressed in the same outfit as one of the "Three Tramps," as they were photographed. The puff of gun smoke said to have been seen, turns out to be Blake's cigar smoke. At Blake's funeral, the soundtrack plays "The Sound of Silence" by Simon & Garfunkel, a song reportedly inspired by national emotional trauma from the Kennedy murder. See more »
The movie is set in an alternate history which diverged from ours in the 1930s. In many ways that reality is more advanced than ours, due to the inventiveness of Dr. Manhattan and other geniuses in the story. Most apparent anachronisms and factual errors in technology, design, fashion, music, communications, and other areas, cannot be counted as goofs for this reason. See more »
Doctor Manhattan as you know the Doomsday Clock is a symbolic clock face analogizing humankind's proximity to extinction, midnight representing the threat of nuclear war. As of now it stands at four minutes to midnight. Would you agree that we are that close to annihilation?
My father was a watch maker. He abandoned it when Einstein discovered time is relative. I would only agree that a symbolic clock is as nourishing to the intellect as a photograph of oxygen to a drowning man.
See more »
The company logos are black-on-yellow, with text set in Futura Condensed, the font used for titles throughout the graphic novel and film. See more »
In Thailand the genitals of Dr Manhattan are masked and where Rorschach attack with an ax the victim's head is heavily blurred. See more »
With 300, Zack Snyder had the problem of having not enough meat on the bone - Frank Miller's violent graphic novel was short and in-your-face, with director Snyder compensating by spending pretty much all of it's two hour runtime in super-slow motion. Here the problem is reversed: Alan Moore's unfilmable, complicated and very, very deep graphic novel seemed simply too dense for any director to take by the horns and be successful. Hell, even Moore himself deemed it so - so much that he disowned the film entirely.
Here, Snyder has two audiences: those familiar, and those who aren't. If you're the latter, Watchmen is a masterwork of literature, telling the story of a group of masked avengers who, since outlawed, live empty and lonely lives. When one is killed in his apartment, Rorschach, who dons the famous ever-moving mask, takes it upon himself to get to the root of the real reason for the death, but stumbles onto something much larger than he could ever have expected.
It really is a character piece. Each one, filled off-screen with complicated, articulate back-stories is brought to life on screen by some of the most heartfelt acting I've seen in a long time (save perhaps Malin Ackerman as the latex-wearing Silk Spectre II), particularly from Billy Crudup who plays the blue, often naked (and well-hung) demi-god who is the only superhero with real superpowers.
Although the star of the show is Rorschach himself. Despite being behind a mask for the large majority of the film, Jackie Earle Haley is beyond perfect for the role. His husky voice commands the voiceovers from Rorschach's journal (recited in many cases word-for-word from the novel), and plays the psychopathic, paranoid and immensely complex role with such a force that you simply can't tear your eyes away from him.
Snyder made himself known with 300 - the ultra-violent story of the Spartans who went to war (and lost miserably). However, Watchmen makes 300 seem like Mary Poppins - this has got to be one of the most violent films I have ever seen. All the book's action sequences are there, just bigger. More badass. Gory as hell. And, for some reason Snyder decided to place a porny, cringy 3 minute sex scene set to Leonard Cohen's "Hallelujah" slap bang in the middle of the film. Sure, it was in the book, but it was shorter, and the soundtrack was most certainly not this poncy.
However, this discrepancy is the only gripe (and this is a very minor gripe) that I have with the film. It's hard to watch in places - a rape scene here, a pregnant woman killed there - and even pulls the heartstrings in others (Doctor Manhattan's backstory most definitely (almost) brought me to tears). The book is majorly complex, deep and meaningful, and in it's transition to screen, a lot of that is lost in translation. But what we get is a fantastically artistic, fast-paced action epic. Snyder was aiming for two audiences who are polar opposites, and comes free with an adaptation of which even writer Alan Moore should be proud.
383 of 732 people found this review helpful.
Was this review helpful to you?
| Report this