7.8/10
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61 user 89 critic

Tokyo Godfathers (2003)

Tôkyô goddofâzâzu (original title)
Trailer
1:37 | Trailer
On Christmas Eve, three homeless people living on the streets of Tokyo find a newborn baby among the trash and set out to find its parents.

Directors:

Satoshi Kon, Shôgo Furuya (co-director)

Writers:

Satoshi Kon (screenplay), Satoshi Kon (story) | 1 more credit »
8 wins & 1 nomination. See more awards »

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Cast

Cast overview, first billed only:
Tôru Emori Tôru Emori ... Gin (voice)
Aya Okamoto Aya Okamoto ... Miyuki (voice)
Yoshiaki Umegaki Yoshiaki Umegaki ... Hana (voice)
Shôzô Îzuka Shôzô Îzuka ... Oota (voice)
Seizô Katô Seizô Katô ... Mother (voice)
Hiroya Ishimaru ... Yasuo (voice)
Ryûji Saikachi Ryûji Saikachi ... Aged Man (voice)
Yûsaku Yara ... Miyuki's Father (voice)
Kyôko Terase Kyôko Terase ... Sachiko (voice)
Mamiko Noto Mamiko Noto ... Kiyoko, Gin's Daughter (voice)
Akio Ôtsuka ... Doctor (voice)
Rikiya Koyama ... Bridegroom (voice)
Satomi Kôrogi ... Kiyoko, the Gangster's Daughter (voice)
Mitsuru Ogata Mitsuru Ogata ... Hidenari Ugaki (voice)
Chiyako Shibahara Chiyako Shibahara ... Eriko Kawasaki (voice)
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Storyline

Christmas in Tokyo, Japan. Three homeless friends: a young girl, a transvestite, and a middle-aged bum. While foraging through some trash, they find an abandoned newborn. Hana, the transvestite with delusions of being a mother, convinces the others to keep it overnight. The next day, using a key found with the baby, they start tracking down the parents, with many adventures along the way. Written by Jon Reeves <jreeves@imdb.com>

Plot Summary | Add Synopsis

Taglines:

Meet the ultimate dysfunctional family.


Motion Picture Rating (MPAA)

Rated PG-13 for thematic elements, violent images, language and some sexual material | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

Japan

Language:

Japanese | Spanish | English

Release Date:

8 November 2003 (Japan) See more »

Also Known As:

Tokyo Godfathers See more »

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Box Office

Opening Weekend USA:

$29,259, 18 January 2004

Gross USA:

$129,560

Cumulative Worldwide Gross:

$215,562
See more on IMDbPro »

Company Credits

Production Co:

Madhouse See more »
Show more on IMDbPro »

Technical Specs

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

A number of the minor characters appear to be named for well-known seiyuu. Thus, the cast of characters includes such names as "Eriko Kawasaki" (voiced by Chiyako Shibahara) and "Hidenari Ugaki" (voiced by Mitsuru Ogata). See more »

Quotes

Hana: I'm starving!
Gin: I told you!
Hana: Look after my little angel. Go on without me. Just say you'll never forget the queer you once knew.
Miyuki: Look, a cemetery.
Hana: I'm not dead yet!
See more »

Crazy Credits

The opening credits appear on billboards, store signs, truck lettering, etc. See more »

Connections

Referenced in Paranoia Agent: Enter Lil' Slugger (2004) See more »

Frequently Asked Questions

See more »

User Reviews

 
Spectacular animation! Satoshi Kon is one of a kind!
17 May 2004 | by alitakSee all my reviews

Satoshi Kon's animation films are increasingly impressive with each new release. This movie is not only a technical masterpiece of the Japanese animation style, but can also rival a good independent live-action film in its storytelling. The film's plot also doubles as a social commentary about life on the fringe in Tokyo (not only the homeless but also cultural minority and the mentally disabled), from both the inside and the outside looking in. As a Westerner, I was astonished at how the homeless characters adapted to Japanese traditional practices for their survival.

The story of "Tokyo Godfathers" is much more compelling and heartwarming than Kon's previous films, "Perfect Blue" and "Milennium Actress", but the signature semi-realistic drawing style from his other films is still prominent. The discrepancies in movement between each character in the action sequences is particularly phenomenal. The backgrounds are intricate and perfectly painted. Note the art direction of the background buildings in some scenes to add even more connotation to the plot - sometimes they are more than what they seem!

Kon is the next Miyazaki, and I predict that he will continue to bring Japanese animation films to the international foreground years to come.


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