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Kiss Kiss Bang Bang (2005)

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A murder mystery brings together a private eye, a struggling actress, and a thief masquerading as an actor.

Director:

Shane Black

Writers:

Brett Halliday (novel), Shane Black (screen story) | 1 more credit »
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1,977 ( 305)
5 wins & 16 nominations. See more awards »

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Cast

Cast overview, first billed only:
Robert Downey Jr. ... Harry Lockhart
Val Kilmer ... Gay Perry
Michelle Monaghan ... Harmony Faith Lane
Corbin Bernsen ... Harlan Dexter
Dash Mihok ... Mr. Frying Pan
Larry Miller ... Dabney Shaw
Rockmond Dunbar ... Mr. Fire
Shannyn Sossamon ... Pink Hair Girl
Angela Lindvall ... Flicka
Indio Falconer Downey ... Harry Lockhart - Age 9
Ariel Winter ... Harmony Faith Lane - Age 7
Duane Carnahan Duane Carnahan ... Chainsaw Kid
Josh Richman Josh Richman ... Richie
Martha Hackett ... Pistol Woman
Nancy Fish ... N.Y. Casting Woman
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Storyline

A petty thief posing as an actor is brought to Los Angeles for an unlikely audition and finds himself in the middle of a murder investigation along with his high school dream girl and a detective who's been training him for his upcoming role... Written by austin4577@aol.com

Plot Summary | Plot Synopsis

Taglines:

A bad week in a tough town. See more »


Motion Picture Rating (MPAA)

Rated R for language, violence and sexuality/nudity | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

18 November 2005 (USA) See more »

Also Known As:

L.A.P.I. See more »

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Box Office

Budget:

$15,000,000 (estimated)

Opening Weekend USA:

$180,660, 23 October 2005, Limited Release

Gross USA:

$4,243,756, 15 January 2006

Cumulative Worldwide Gross:

$15,569,469, 22 January 2006
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

DTS | Dolby Digital | SDDS

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

The movie shares its title with a song from the soundtrack of the James Bond movie Thunderball (1965). "Mr. Kiss Kiss Bang Bang" was recorded first by Shirley Bassey, and then Dionne Warwick after Composer John Barry had chosen the title when he read a magazine article which mentioned that was how Bond was known in Italy. However, the producers got cold feet at the last moment, and asked him to write a title song, "Thunderball", which was performed by Tom Jones. KKBB was relegated to an instrumental-only status within the movie. Both versions of "Mr. Kiss Kiss Bang Bang" were released many years later, and "Kiss Kiss Bang Bang" has since become a slang description of the James Bond-style spy genre. See more »

Goofs

When Perry and Harry are on the rooftop having an argument, Perry puts his hand across his mouth to shut Harry up with his right hand. The next shot centering on Harry has Perry's left hand on Harry's mouth, and the shot after that returns to having Perry's right hand on Harry's mouth. See more »

Quotes

Harry: [voiceover] I was wetter than Drew Barrymore at a grunge club.
See more »

Crazy Credits

At the end of the movie, Val Kilmer says not to leave; to stay and watch the credits; and if you're wondering who the Best Boy is, he's someone's nephew. (The actual Best Boy credit is Jack Bauer.) See more »

Connections

Featured in Seriesly: Thunderball (2015) See more »

Soundtracks

SILVER SCREEN (SHOWER SCENE)
Written by Felix Da Housecat (as Felix Stallings Jr.), Thomas Lorello, David Jenefsky and Bobby Orlando
Performed by Felix Da Housecat
Courtesy of Emperor Norton Records/Rykodisc and Rude Photo Inc.
By Arrangement with Big Sounds International
See more »

Frequently Asked Questions

See more »

User Reviews

 
My kind of dark comedy.
22 November 2005 | by TheMovieMarkSee all my reviews

The term "Kiss Kiss, Bang Bang" was first coined in the 1960s by the Japanese press as a nickname for James Bond. Director Shane Black loved the term and chose it as the movie's title because, "it so clearly represented what this film is." And what exactly is this film? Good question. For starters, it's original. It's a nice change of pace from all of the sequels and remakes we've been inundated with recently. I needed this breath of fresh air after being blind-sided by the news that a remake of Robocop might be on its way.

It's also funny and action-packed. The pace comes at us almost as quickly as the clever dialogue, making it nearly impossible for the average viewer to get bored. You may be offended, you may not appreciate the dark humor, and you may not get the style, but I would predict the majority of you won't get bored. Will I refund your ticket money if you *do* get bored? No, absolutely not. Don't be silly. I'll just say, "Oh well, I guess you're just in the minority on this one!" What I like most about Kiss Kiss, Bang Bang is it's so hard to "genre-lize." See what I did there? Add that term to the Movie Mark Dictionary. When you can't "genre-lize" something then you can't easily force it into any one specific genre. Clever, huh? That's what makes Kiss Kiss, Bang Bang so fun. Is there action? Yes! After all, it's by the same guy who wrote the Lethal Weapon movies. But it's not an action movie.

Is there humor? Indeed. The laughs mostly come from the chemistry between Val Kilmer and Robert Downey Jr. and some of the crazy situations they find themselves in. This is my kind of dark humor. I love to be caught off guard by unexpected moments that make me laugh at things that might not be so funny if they were witnessed in the real world. But this isn't a comedy. The humor is never forced and doesn't have to resort to slapstick or flatulent puppies just to get cheap laughs. Sure, there's a scene that involves peeing on a corpse, but it has to be seen in its context to be appreciated.

If I were forced to affix a label to this then I suppose I'd say it's a darkly comedic murder mystery. It takes itself just seriously enough to keep you in suspense, but it's irreverent enough to simply be fun and entertaining. It works well enough as a farce without ever coming off as a pure parody.

My main complaint is that the story does get a little too confusing. I admit that I openly mocked other reviews that called the story "needlessly complex," but now that I have seen it I totally understand what these reviews are talking about. You'll want to pay careful attention or you'll get lost pretty quickly. I'd even suggest taking notes. If you're not careful you'll become so immersed with keeping up with the rapid-fire dialogue that you could lose focus on the plot details. It's not mind-blowing, but there are just so many characters and minutiae to keep up with that it's easy to lose track of what exactly is going on. If your friends call you "ol' goldfish attention span" then you could be in trouble.

I'm not going to lie to you and tell you that this movie is for everybody. The language gets pretty rough, there is strong sexual content, Val Kilmer is a detective who just happens to be gay and jokes are made at his expense, there's a decent amount of gunplay, and some people just might not appreciate the unconventionality on display.

But I loved the fact that this wasn't formulaic and that the look and style was different than the norm. Black admits to de-saturating the colors in post-production to give the film a crude, rough look. Perhaps some might like their movies a little more bright, but I thought it was quite effective at giving the film the pulp detective story vibe that Black was going for.

I wouldn't recommend this to my mother, so I won't pretend to know whether this fits *your* taste either. It all depends on how you view these kinds of things. Is it gratuitous or knowingly over-the-top? Clever or too clever for its own good? Cheesy or comfortable in its self-awareness? Ask yourself what it takes to offend your senses and let that be your guide.


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