Hallam's talent for spying on people reveals his darkest fears-and his most peculiar desires. Driven to expose the true cause of his mother's death, he instead finds himself searching the rooftops of the city for love.
Two men meet while travelling north on separate missions. Charlie wants to catch up with the man who has stolen his wife, while Vicente is trying to escape a contract castration. After ... See full summary »
In the midst of his crumbling relationship, a radio show host begins speaking to his biggest fan, a young boy, via the telephone. But when questions about the boy's identity come up, the host's life is thrown into chaos.
In Spain, the sports journalist Juan has a perfect life with his wife Sonia: they have just had a baby and moved to an old house that needs to be repaired in a fancy neighborhood. When ... See full summary »
Álex de la Iglesia
In the 1950s, the psychiatrist Max Raphael is hired to work as superintendent of an asylum in the outskirts of London, and he moves with his wife Stella Raphael and their son Charlie. Stella has a passionless marriage and is ignored by Max. Her boredom changes when her son befriends the handsome inmate Edgar Stark, an sculptor that in a crisis of jealousy had killed and disfigured his wife, and that is treated by Dr. Peter Cleave, an ambitious psychiatrist that aspired Max's position. During the afternoons, Stella has a hot adulterous affair with Edgar until the day he escapes and their affair is discovered. Stella has to take a decision between her family and her wild passion for Edgar.Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Filming at the former mental hospital wrapped in the early Autumn, not before a few of us supporting crew lent a hand in spraying some of the garden foliage green for the movie's Summer setting. See more »
The story is set in the Summer of 1959. The Mk II Jaguar, as used by Raphael, was only introduced for the London Show in October of that year.
(Please see 'Trivia' item, also). See more »
Romantic thriller Asylum is a fairly intriguing adaptation of a same-titled McGrath novel, rewritten into a script by the man who wrote Closer -- Patrick Marber. Keeping this in mind whilst watching, it is impossible not to notice similarities in writing between the two films. Like Closer, Asylum is very much a study of human relationships and sexuality and both heavily explore the theme of infidelity. Also, Marber seems to have a thing for having his male character pushing up women against a wall and confronting them with their cheating -- often using violence and crude language. Just an observation.
Moving away from Closer, in Asylum desperate housewife Stella (Natasha Richardson) is bored with her passionless life and dreads every day of being a good little 1950s wife to her stiff husband, who holds an important position as a doctor at a mental asylum nearby. Strolling her garden with her son one day, Stella meets mental patient Edgar who is working for them as their gardener. There is instant forbidden chemistry and the two engage in an illicit affair that soon blossoms into a passionate romance that is shadowed by more than just lust -- it is the fear of getting caught, there is sexual obsession, morbid jealousy on Edgar's part and a great deal of violence ensuing. It all sounds pretty juicy and it is at times so this isn't the kind of movie you want to watch with your parents.
Marton Csokas (whom I haven't seen in much) is perfect for the role of sexy madman Edgar who is so smokin' hot with desire and jealousy that his presence is felt in scenes he isn't even in. Mackenzie shows us the allure of Edgar and make us see why Stella is so attracted to him (in spite of his violent nature) and at the same time makes us see that WE could never be attracted to him. Why not? Because it all comes down to the mental state of Stella and what she needs in her life. I thought the mental state part was handled somewhat sloppily even though we see foreshadowing events. In the end, Asylum is a well-crafted and intense thriller as it succeeds in creating a dark atmosphere throughout and it is, for the most part, well-acted by a respected cast.
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