In this prequel to Mou gaan dou (2002), Chan Wing Yan has just become an undercover cop in the triads while Lau Kin Ming joins the police force. Both the triads and the police find an enemy in a rival crime boss.
Andrew Lau Wai-Keung,
Anthony Chau-Sang Wong
An elder ronin samurai arrives at a feudal lord's home and requests an honorable place to commit suicide. But when the ronin inquires about a younger samurai who arrived before him things take an unexpected turn.
Chan Wing Yan, a young police officer, has been sent undercover as a mole in the local mafia. Lau Kin Ming, a young mafia member, infiltrates the police force. Years later, their older counterparts, Chen Wing Yan and Inspector Lau Kin Ming, respectively, race against time to expose the mole within their midst.Written by
When Yan and SP Wong are waiting at the elevator, the digital floor counter skips the 4th floor. In China and Hong Kong, the number 4 is considered bad luck because it sounds similar to the word 'death'. See more »
When Lau goes to listen to the "sampler" CD that's been dropped off for him, he presses the button on the player and we see the CD drawer close twice - first in the long-shot, and then in a close-up that starts from a fully-open position on the drawer. See more »
What thousands must die, so that Caesar may become the great.
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For the Chinese version an alternate ("politically correct") ending was used. In it, Lau gets arrested when he leaves the elevator. See more »
I looked over a squad of reviews and was sad not to see anyone writing from Hong Kong. So I am putting in my piece.
Hong Kong movies have changed a lot in the last decade and when Infernal Affairs came out it was a real change. I noted 'Golden Chicken' was mentioned earlier, and that sums up many of the lame comedies that have recently been churned out. However the comedy is a large part of Hong Kong cinema, as is the gangster genre.
Infernal Affairs breaks with the comedy, keeps the gangsters (lau being a first class clean cut one - whilst Leung acts a remarkable strained police officer) and adds clever and intelligent tension. The acting is first class, as is the mood that truly captures the zeitgeist.
This movie is about the two characters and their similarities and moral obstacles. It also has something subtle to say.
This film was huge news in Hong Kong and the mainland. It is an important Hong Kong film.
The US remake will be more clichéd than you can imagine. This film will translate, it is not that original, no. But it has substance and mood that is valuable.
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