Mei, a young girl whose memory holds a priceless numerical code, finds herself pursued by the Triads, the Russian mob, and corrupt NYC cops. Coming to her aid is an ex-cage fighter whose life was destroyed by the gangsters on Mei's trail.
A thief with a unique code of professional ethics is double-crossed by his crew and left for dead. Assuming a new disguise and forming an unlikely alliance with a woman on the inside, he looks to hijack the score of the crew's latest heist.
Martine offers Terry a lead on a foolproof bank hit on London's Baker Street. She targets a roomful of safe deposit boxes worth millions in cash and jewelry. But Terry and his crew don't realize the boxes also contain a treasure trove of dirty secrets - secrets that will thrust them into a deadly web of corruption and illicit scandal.
Stephen Campbell Moore
Ex-con Jensen Ames is forced by the warden of a notorious prison to compete in our post-industrial world's most popular sport: a car race in which inmates must brutalize and kill one another on the road to victory.
When his mentor is taken captive by a disgraced Arab sheik, a killer-for-hire is forced into action. His mission: kill three members of Britain's elite Special Air Service responsible for the death of his sons.
After dropping her son off at the bus stop, the doting mum and high school science teacher, Jessica Martin, is kidnapped at gunpoint, and thrown in an unknown attic with only a nearly unusable phone. As her world turns upside down in an instant, the desperate mother manages to jury-rig the device and connects with the cell phone of the young college student, Ryan. Now, Jessica's life is literally in Ryan's hands--and as the ruthless abductors threaten to kill her--Ryan has to act fast to rescue the woman on the other end of the line. However, with a dying battery, how can Ryan save Jessica when this could be her last phone call?Written by
At the kidnappers' house, the New Line Cinema movie Final Destination 2 (2003) is playing on the television. It also makes numerous references to the series, such as the truck crashing into Ryan's car (using the same sound effects) and an announcement at the airport referencing a Flight 180, the same flight in the first movie.
Producer Dean Devlin has a cameo as the cab driver who drives Ryan.
When real estate agent/husband is at the bank safety deposit box, he pulls his key from what is clearly a box far too small to have stored the camera bag he withdrew. See more »
Mom, will you still be a science teacher when I get into high school?
Hmm... You never know. Why?
'Cause I think it'd be kind of weird to have your mom as a teacher.
See more »
The first part of the closing credits show cast and crew names on cellular telephone screens, in scenes from the film. See more »
Straightforward good cop, bad cop movie plot supporting the central star of a cellular phone
Director David Ellis' "Cellular" 2004, is rather entertaining in spite of the predictable storyline. Chris Morgan's debut screenplay is based on a story by Larry Cohen, who wrote "Phone Booth" 2002 (directed by Joel Schumacher with the literally outstanding performance by Colin Farrell).
Perhaps I went to see the movie without much expectation, hence being able to enjoy it fine as it is. If you expect substance, this movie is not it -- director Michael Mann's recent film "Collateral" 2004, with Tom Cruise, Jaimie Foxx and Jada Pinkett Smith, did optimize the cellular phone as part of a substantial plot progression. To be more esoteric, try the Iranian film by w-d Abbas Kiarostami (of "A Taste of Cherry" fame), "The Wind Will Carry Us" 2000, which also featured the cellular phone in a down to earth way. Also brings to mind is the Danish film by Dogma w-d Thomas Vintenberg "The Celebration" aka Festen 1998 (an emotional powerhouse surrounding the reunion of a dysfunctional family), and the PBS TV series "Reckless" 1997-98 with the irresistible ménage a trois of Robson Green, Francesca Annis and Michael Kitchen, the cellular phone was well featured as a plot 'crutch' in both.
It's a timely reflection, or reminder, of how cellular technology is consumingly inhabiting our lives, and here in this breeze of a movie, we have a life saver adventure -- a day in the life of Ryan (Chris Evans), to the rescue of a civilian family from the claws of relentless bad cops (well, nothing so complicated or devastatingly psycho-play as "Training Day," of course). This is a lightweight fare. Just enjoy it as it is. Kim Basinger and William H. Macy didn't have to exert much acting chops per se. Evans, and the video cellphones (yes, not just one, there's two needed to complete the plot turns), sure carried the movie, alright. One would forgive or welcome the convenient plot points that Basinger happens to be a teacher of science/biology handy with wires (harkens the beginning credit of production company name -- "Electric Entertainment," hm), and Macy's soon to retire good cop happens to follow his curiosity instinct, and thank goodness Evan's character turned out to be not so goofy but smarter and thinking by the minute.
It's relaxing entertainment, with no need of foul language involved -- straightforward ride, with adequate supporting roles including Jason Statham ("The Transporter" 2002 and "The Italian Job" 2003), and a seemingly unsuspecting role as the cop boss by Noah Emmerich (last seen in "Beyond Borders" 2003 opposite Clive Owen and Angelina Jolie).
47 of 91 people found this review helpful.
Was this review helpful to you?
| Report this