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On the Road (2012)

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Young writer Sal Paradise has his life shaken by the arrival of free-spirited Dean Moriarty and his girl, Marylou. As they travel across the country, they encounter a mix of people who each impact their journey indelibly.

Director:

Walter Salles

Writers:

Jack Kerouac (based on the novel by), Jose Rivera (screenplay by)
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4,221 ( 565)
2 wins & 4 nominations. See more awards »

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Cast

Cast overview, first billed only:
Sam Riley ... Sal Paradise / Jack Kerouac
Garrett Hedlund ... Dean Moriarty / Neal Cassady
Kristen Stewart ... Marylou / LuAnne Henderson
Amy Adams ... Jane / Joan Vollmer
Tom Sturridge ... Carlo Marx / Allen Ginsberg
Alice Braga ... Terry / Bea Franco
Elisabeth Moss ... Galatea Dunkel / Helen Hinkle
Danny Morgan ... Ed Dunkle / Al Hinkle
Kirsten Dunst ... Camille / Carolyn Cassady
Viggo Mortensen ... Old Bull Lee / William S. Burroughs
Ximena Adriana Ximena Adriana ... Oaxacan Girl
Sarah Allen ... Vicki
Clara Altimas ... Newlywed Woman
Leif Anderson ... Chevy Owner
Ricardo Andres Ricardo Andres ... Terry's Father
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Storyline

Shaken by the death of his father and discouraged by his stalled career, writer Sal Paradise goes on a road trip hoping for inspiration. While traveling, he is befriended by charismatic and fearless Dean Moriarty and Moriarty's free-spirited and seductive young wife, Marylou. Traveling across the American southwest together, they strive to break from conformity and and search the unknown, and their decisions change the very course of their lives. Written by anonymous

Plot Summary | Add Synopsis

Taglines:

The best teacher is experience.


Motion Picture Rating (MPAA)

Rated R for strong sexual content, drug use and language | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Facebook | Official site | See more »

Language:

English | French

Release Date:

23 May 2012 (France) See more »

Also Known As:

En el camino See more »

Filming Locations:

Bridge City, Louisiana, USA See more »

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Box Office

Budget:

$25,000,000 (estimated)

Opening Weekend USA:

$39,550, 23 December 2012

Gross USA:

$744,296

Cumulative Worldwide Gross:

$8,784,318
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (original)

Sound Mix:

DTS | Dolby Digital

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

This is touted as Michael Sarrazin's final role, but Michael Sarrazin does not appear in the movie. See more »

Goofs

Among Sal's books is a copy of Saul Bellow's "Seize the Day", which was first published in 1956. See more »

Quotes

Dean Moriarty: Yes, yes, yes, I gotta go now, Fever Sal. Goodbye.
See more »

Alternate Versions

The film was re-edited for North American release following its premiere at the Cannes Film Festival and its French theatrical release because, according to director Walter Salles, that version was "rushed". The new cut is thirteen minutes shorter but contains more scenes and Salles says he has no preference between the two. See more »

Connections

References The Red House (1947) See more »

Soundtracks

Tiger Rag
Music by Edwin B. Edwards (uncredited), Henry Ragas (uncredited), Larry Shields (uncredited) and Tony Sbarbaro (uncredited)
Performed by Charlie Parker
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Frequently Asked Questions

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User Reviews

 
On the sideline waiting for On The Road.
7 April 2013 | by merlin-jonesSee all my reviews

One of the aspects this film really lacked was an understanding of the zeitgeist of Beat America in the late forties and fifties of Post-World War Two America. The conservative middle class that Ronald Reagan defended was in full swing and there were those who did not fit in and did not know where to go, and this is where the Beats fit in. It was L seven heaven square land and people with creative vision didn't have the flavor for materialism. The idea in the mind was just as secure as house in the suburbs. Plus I saw no James Joycean stream of consciousness with the speed, booze and the jazz. Where was the poetry? You see people moving around, dancing, snapping fingers and being "hip" but no expression of what was going on within. The characters I saw were 21st century self-centered users, dopers, and boozers who could not afford a day of tasting wine in Napa Valley, so it's everyone else's fault. The most real character in the film that captures the sense of the time was Viggo Mortensen's Old Bull Lee/William S. Burroughs. That worked. Carlo Marx, the Ginsberg attempt should have been called Harpo Marx. I was howling at the idea that this was suppose to be the person that wrote Howl. The art direction and cinematography did keep me watching instead of leaving. But remember, it does say based on the book On The Road.


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