May is waiting for her boyfriend in a run-down American motel, when an old flame turns up and threatens to undermine her efforts and drag her back into the life that she was running away from. The situation soon turns complicated.
Harry Dean Stanton
A fictionalized former President Richard M. Nixon offers a solitary, stream-of-consciousness reflection on his life and political career - and the "true" reasons for the Watergate scandal and his resignation.
A rich but lonely woman, Frances Austen, one day invites a homeless young man from a nearby park to her apartment and offers to let him live there. However, she has no intention of ever letting him leave again.
An inside look at the world of ballet. With the complete cooperation of the Joffrey Ballet of Chicago, Altman follows the stories of the dancers, whose professional and personal lives grow impossibly close, as they cope with the demands of a life in the ballet. Campbell plays a gifted but conflicted company member on the verge of becoming a principal dancer at a fictional Chicago troupe, with McDowell the company's co-founder and artistic director, considered one of America's most exciting choreographers. Franco plays Campbell's boyfriend and one of the few characters not involved in the world of dance.Written by
Andrea Barney <andrea808@hotmail..com>
Neve Campbell's character Ry was based on the life story of The Robert Joffrey Ballet dancer Trinity Hamilton (who appears as a corps member in the movie). The Goth club that Ry works in is the actual club where Hamilton worked to earn extra money and have some time away from the company. When Ry and Josh watch a video of one of Ry's recitals when she was a little girl, it is actually one of Hamilton's childhood home videos. See more »
When Ry gets out of the bath behind the screen, it's clear she's wearing a body stocking. See more »
Some of the dances are tiny religious experiences. The film doesn't look nearly as good as some of Altman's others, but there are flashes of awesome beauty: a topless male dancer alone in a room with golden beams of light, and Neve Campbell in her bath. The movie looks at the queeny pretensions of the boys (and their fathers), the dancers' sex lives (who are more '60s than their instructor knows), and the company leader, played by Malcolm McDowell, whose occasional flakiness is caught by one black dancer. I couldn't help but think of McDowell as an Altman self-criticism: an elderly director working with small budgets, prone to artiness, who champions art as being organic, who rounds up a large crew of performers and calls them "babies." The day-in-the-life shapelessness of the movie didn't at all bother me, though one character, who asks to stay in a dancer's apartment, is dropped pretty quickly. And James Franco is in it. 9/10
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